Thursday, March 31, 2005

who's leading this planet?



I was just re-reading December's issue of Wired magazine, surely the best issue yet. Terminator, Titanic and Ghosts of the Abyss director James Cameron guest-edited that issue which included awesome features on exploration in oceans / caves / space.

People often talk of "evolution", "progress" and "humanity" / "human civilisation". Yet, that assumes the existence of a plan, of a strategy - of a vision. It assumes that someone is driving this vehicle called Earth. I guess we could adopt an approach that semi-religiously accepts fate and argues that things just happen on their own; that the reality around us is evolving on its own.

Reality check: have a look around. There's so much beauty and so much ugliness in this world. Bach piano concertos and Auschwitz concentration camps. Within a few days, billions of people around the world mobilised and organised an unprecedented relief effort for the millions affected by the tsunami. In Darfur, hundreds of thousands are dying in surely what can only be described as a genocide, yet no-one is doing anything about it. Surely, humans have the power to create (and destroy); we make things happen. (I wish i could highlight each word separately but blogger doesn't allow me to do that). We. Make. Things. Happen.

Having said that, the more i study leaders, politics and government (i.e. the institutions that are supposed to make things happen at the local, national and international level); the more i develop and exercise my academic skills (including writing papers that are supposed to break the ground - yeah right); the more i become immersed into this 'life' thing i realise one thing. The overwhelming majority of human actions are either
(a) reactions to pressures by the environment (including family, religion, neighbours, employer, state etc)
(b) attemps to fit it and/or survive (by entering a profession, climbing the career ladder, starting a family, taking up studies etc). Even at the top levels of government, most actions at the everyday level are reactions to and interactions with the news media, the voters, the opposition etc. Not much of a vision there. Even statements of visions by leaders (and i'm not being cynical here) often have a tactical/electoral agenda behind them, i.e. are mechanisms of survival.

Where am i going with this? Good question.

I've been thinking a lot about the lack of vision, of long-term strategic positive feasible goals at the level of government; this is nothing new for British governments (where most things happen slowly and steadily, see Richard Rose's theory of executive inertia); it's not new either for Republical administrations in the US (the Clinton Presidency had a much clearer vision and delivered in several aspects of it).

So, if "the world" is moving, if our civilisation is "progressing" but our leaders aren't actually "leading" then who is? Whose vision are we enacting?

I argue that, if any, two types of people are leading:

a) the innovators; the geeks, the enthusiasts, the lab nerds, who go against the conventional wisdom to produce something amazing. The explorers; the navigators; the adventurers.

b) housewives, teachers, doctors, nurses, authors, actors, manual workers, and the unsung heroes of our anonymous everyday life who inspire/feed the above-mentioned innovators.



Last July, on one of the greatest days of my life, i visited NASA HQ at Kennedy Space Center in Florida. That was a dream coming true. I'd really need a whole book to describe what i saw, heard and experienced there: touching a Moon rock (yup, you touch that and think "wow... this came all the way from up there?"), shaking hands with the director of SkyLab 4 (astronaut General G. P. Carr); experiencing the Apollo 11 launch inside the original launch control room; visiting the Shuttle launch pad (only one of two places on Earth - the other in the former USSR - from which humans have travelled to space) etc.



The coach driver to Kennedy Space Center went through a list of things we use in our everyday life or in medicine (such as microwaves, electrical toothbrush, CT scan etc); all those were originally developed by NASA and then became an embedded part of our everyday life.



I am not implying that we should have a single vision or a single source of visions; a single leadership; that would equal totalitarianism of the worst kind. But the total lack of any vision equally leads to oligarchy and the tyranny of the few/privileged. The challenge is to seek and develop new collective/group benign visions that further our understanding of our surroundings; protect the natural and cultural environment; improve our quality of life (or in the case of starving children: keep us alive). Those initiatives should not be judged by their rhetoric or label (e.g. faith-based or otherwise) but by their results and consequences (whether they exclude and discriminate or include and facilitate). They should be based upon local and global initiatives by people for people.
That's what democracy is about; it's about people determining their own future. That's what politics is about; it's about competing visions on our future.


We have emasculated politics, depriving it of any ideology, vision or conflict. We have sterilised political discourse and institutions by adopting a no-risk strategy (politicians are not the only ones to blame; we kinda asked for it by being so judgmental and immature as citizens).

Yet - and it's funny - "no ideology" (or "all ideologies are dead") is in itself an ideology. A no-risk strategy is a strategy nonetheless. Thus, those who try to persuade us that ideas and visions are dead are merely promoting their cynical, tactical and self-serving vision of a disengaged and culturally dead public; keep listening to fucking J-Lo, everything will be fine.

Chantal Mouffe is right when she calls for more conflict within the system; if it doesn't happen within the system it will happen without the system... For example, passing legislation on incitement of religious hatred only sterilises and controls the public debate even more; it keeps hatred being bottled up. It pushes the problems under the carpet.



We need to bring back hope to this scared world. Enough with the terror and the fear.

Tuesday, March 29, 2005

Blooming Bond



Some breaking news. Internet rumours report that Owen, Clive Owen is about to be named as Bond #6, which if true will make my day/week.

Meanwhile...



Young Bond. SilverFin. The Eton Years. Bloom, Orlando Bloom.

Monday, March 28, 2005

Review: The Chorus



I just watched a truly European film i.e. a non-US, non-UK, non-Australian film; a film not in the English language. This is really an amazing achievement and a treat for those of us living in Bournemouth.

The film was Les Choristes [The Chorus], Christophe Barratier's debut feature film (Les Tombales was a short film), which was nominated for two Academy Awards (Foreign Language Film and Original Song).

[Spoiler Alert! Don't read this if you haven't seen the film]
Less is more. In 96' Barratier manages to remind us why we (should) love the human race; a bitter-sweet, simple film based on a story that has been told again and again in various forms: from The Sound of Music (1965) to Dead Poets Society (1989); from Sister Act (1992) to Dangerous Minds (1995) and Good Will Hunting (1997). Teacher/supervisor enters mayhem school of dysfunctional children and progressively wins them over, while discovering the hiden talent of a child-wonder, only to be fired by the cruel headmaster for overstepping the line.

+ Great performances
+ Funny & moving script
+ Awesome, multi-award winning music
+ For me, what makes this different from other films is the subtext, i.e. what's not on film. The Chorus is about two things:
> success and how wrong we are to correlate it with money/fame etc. This is about the unsung heroes of our local communities, the teachers, the priests, the doctors/nurses et al. who may never grab the headlines but actually make us what we are.
> More importantly, this film is ultimately about humanity, and more specifically about the 'original sin' (bear with me for a moment as i explain my own theosophy). I know it sounds irrelevant, since the film is not about sex or Adam and Eve/Steve. But the 'original sin' has been misinterpreted as being about adultery etc. That (with all due respect) is bullshit, and as Will Smith says in I, Robot, "Sorry, I'm allergic to bullshit!". First of all, the term 'original sin' is a bad translation of what in Greek we call "propatoriko amartima" i.e. the sin of those before us. That's much more helpful in understanding the METAPHOR behind the phrase. Those before us are our parents and teachers (or guardians or whatever but let's just say parents and teachers for the argument's sake), their own parents and teachers, and so on. As babies we are absolutely pure and innocent. As we grow up we start becoming victims (more or less depending on how lucky we are) of our parents and teachers' parents and teachers' ..... parents and teachers' (as in P1T1xP2T2x...PnTn) mistakes, which inevitably shape us. As we grow up we start repeating those mistakes (more or less depending on how strong and perceptive we are), perpetuating the same "sins".

Now, what was I saying? Ah yes! The Chorus. This film dips into that circle of life by demonstrating that dysfunctional children are not useless objects but human beings whose souls have been abused by adults who, in turn, had been abused as children by other immature adults etc.
The film follows Krzysztof Kieslowski's technique of elliptical cinema by deliberately leaving some aspects of the story underdeveloped.
- Therefore, my only criticism is that, while the film does offer some explanations about e.g. the headmaster's behaviour, it does not perhaps go into adequate depth insofar as that latter aspect of its philosophy is concerned. Perhaps a couple of points are oversimplified so as to make this a more lyrical experience.

Having said that, it's the very simplicity and lyricism that make this such a powerful film.

In short, this is a great film, a welcome break from all the crap that bored executives in glass palaces keep throwing at us. I strongly recommend it, and indeed four stars is only the beginning; as with Goodbye Lenin! and Hotel Rwanda i need to think about it more.

here it comes again?



just got a breaking news alert on my mobile - massive earthquake off the Indonesian coast, same fault as the tsunami one... More here.

Wednesday, March 23, 2005

Review: Constantine



After several weeks without watching a film because of reasons mentioned elsewhere, I just watched Keanu Reeves' latest film, Constantine.

Watching this film was as excruciatingly painful as the exorcisms that the heroes had to go through in the film itself. Constantine is simply the worst film i have ever watched and this is no small feat; trust me when i tell you, in 20 years of film-going i've watched some pretty crappy movies, but surely that goes beyond all of them.

I'm seriously thinking of sueing Warner Bros. for destroying 2 hours of my life. One of two things must have happened: Keanu Reeves either didn't read the script before signing the contract; or he was so desperate and in debt that he had no option.

Constantine is not worth the celluloid that it's shot on, and i really don't wanna burn more calories typing on the keyboard about it. Just, whatever happens, DO NOT WATCH IT! You have been warned.

My film rating system goes from a minimum of 1 star (for technical reasons) to a maximum of 5 stars. I'm giving this 1 star with a heavy heart... If there's any merit to the film it's because it reminded me so much of the 1980s crap we used to watch as kids with the Satan etc and just made me appreciate how far we've come since then!

Tuesday, March 22, 2005

Spring/Summer 2005 Playlist



In 2003 it was: Tomcraft, Bertine Zetlitz, Madonna, Undercover, Benny Benassi Presents the Biz, Kwan, James Douglas, Inspiro, Kronos, Device, David Guetta, Darude, Kurtis Mantronik Presents Chamonix, UD Project vs. Sunclub, New Tone, Just a Man

In 2004 it was: Inspiro, Shapeshifters, Sergio Del Rio, Narcotic Thrust, Tiesto, George Michael, Norah Jones, Schiller Feat. Heppner, Phantom Planet, Summer Love, Scissor Sisters

After some extensive research on recent and forthcoming releases and what's played on uber-cool dance radio stations around Europe (such as Nitro Radio and Kiss FM in Greece), here is a provisional list of 10 tracks that will dominate my spring and summer.

1] Sonique on Tomcraft, 'Another World' [a dream collaboration finally materialises: best female DJ in the world + best male DJ in the world = best video of 2005]

2] Viton and Stel, 'Nightmare' [forthcoming from PlanetWorks; pure perfection, the ultimate dusk-to-dawn-Athens-clubbing track.]



3] Benassi Brothers, 'Hit My Heart' [yes i know, this is a 2004 track, but some tracks are just made to "hit home" 1 year after they are released. This track is played non-stop around Europe and in the clubs. Addictive, pure Benassi, the ultimate Mykonos song.]



4] DJ Raw v. Gee & Lighter, 'Naked' [again a 2004 obscure track unearthed by uber-cool Greek DJ Maggie Haralambidou; her first ever compilation "Maggie's Touch" is released this week by PlanetWorks - a major event for dance music in Europe; the track is just PER-FECT; think of Bertine Zetlitz's 2003 "A Girl Like You" but even cooler, if that's possible].

5] A-Studio Feat. Polina, 'S.O.S.' [another addictive one, forthcoming from PlanetWorks]

6] 100% Feat. Jennifer John, 'Just Can't Wait (Saturday)' [one of those slow risers that keeps growing and growing in you until it just dominates you]

7] Gwen Stefani, 'What You Waiting For' [this one started in the winter and just won't die. ever.]

8] Uniting Nations, 'Out of Touch' [enough said. how many weeks has this track been on the playlists around the world? it now seems it's been there since i was born].

9] Shiny Grey, 'Grey' [an UN-BE-LIE-VA-BLE remix of 'Sweet Dreams'].

10] Viton and Stel, 'Wooden Swordz'

F1 Malaysian Grand Prix



This is too good to be true.

Renault won the second race of the Formula One season at Malaysia's Sepang International Circuit, after the opening triumph in Australia.

If Fisichella and Webber hadn't crashed, Renault would have taken even more points, but hey we can settle for 10!

Clearly, there is something wrong with Ferrari. I do not understand how that can happen; how a team can go from being a leader with a (massive) edge to a follower within 5 months. According to some (i.e. Ralf Schumacher) Ferrari is paying for its own arrogance: they thought they could win the races using last year's car. Others put the blame on the tyres (see ITV coverage, very good website).

The moment of the weekend was when the ITV presenter (i think it was Mark Blundell or might have been Martin Brundle) referred to Ferrari (and i quote) as "a team in decline". I mean come on! we all have our ups and downs - no need to rush, all in good time; i thought that was a bit OTT.

My friend (and die-hard Ferrari/Schumi fan) Michelle sent this to me:
"My heart is very heavy as I am writing this email. I can't believe the complete reversal of fortune of THE GREATEST TEAM IN F1 ... I hope to see the red barons back on top of the podium in the near future, preferably with MS driving".

Although i wouldn't exactly describe myself as a Ferrari fan (gosh, my "understatement skills" are improving) i'm not sure about the new tyre regulations. I mean come on! Do you really expect people to get through the whole weekend, qualifying and all, with one set of tyres?! Pur-lease... look at what happened to Raikkonen. And it is weird to see Schumacher 12th or so... I'm starting to feel sorry for the guy. (Michelle will kill me now, that's it).

Sunday, March 20, 2005

"Saepe creat molles aspera spina rosas"

("Often the prickly thorn produces tender roses", Ovid 43BC - 17/18 AD).

Fact: I hate the flu. Full-stop.

Having said that, it can act as a cathartic mental and physical break imposed by the body/mind itself following a burnout.

After one of the most bizarre and stressful weeks since 2002 that included ...very high highs and very low lows, even the flu can be a welcome break and, like spring, signify the cycle of life through the death of the old / sick and the birth of something new / healthy [that's probably the fever talking, or er... blogging].

If anything, that motto would be my piece of advice to all those going through a challenging phase right now - including friends, family and indeed myself.

Wednesday, March 16, 2005

CPCR Spring Research Workshop



On Friday, 11 March 2005, the R305 gang of research students got together to talk shop. The Centre for Public Communication Research’s Spring Workshop included four excellent presentations – two by PhD candidates who are approaching completion and two by new recruits who joined us in October '04. Here is a shortened version of my notes:

The first presentation is by my colleague and housemate Dan Jackson who is testing the “media malaise” thesis by looking at the media’s coverage of the Euro debate and the effects of that coverage on the public. Dan’s research includes a content analysis of an impressive 660 (!!) newspaper articles and 35 TV news programmes; as well as an experiment / questionnaire with a large sample of respondents. The main analytical tool that he uses is the distinction between strategic news framing (focusing on conflict, personalities, opinion polls and political strategy) and substantive news framing (focusing on issues and their consequences). His preliminary findings show a disproportionate amount of press attention on strategy and conflict (e.g. the Blair / Brown relationship), which may well be contributing to the public’s disengagement from politics, which is what the ongoing part of his research is looking at.

Following Dan’s presentation, Khaldia al-Khalifa, a friend and colleague from Bahrain, introduces her own doctoral research. The title of her thesis is “Saudi Arabia: Studying the relationship between political situation, terrorism and the media”. Although Khaldia only started her research late last year, she has already produced a very comprehensive chapter-by-chapter structure of her thesis (which took most of us two years to prepare). At the core of her work is the relationship between terrorism and religion; the role of the media in framing those ideologies; and the impact of religious fundamentalism on the education system and on the public. Clearly, her work is at the cutting edge of current thinking and everybody is really excited and looking forward to reading her thesis.

After a short break, my friend and next-desk neighbour Carrie Hodges reflects on her own research journey. Carrie is a role model for everyone because despite a shocking amount of teaching and other commitments (such as being acting Course Leader for MA Corporate Communications), not only has she already collected her primary material, she’s actually planning to submit her thesis in the summer - well within the 3 year mark - which is amazing anyway (i.e. for people who only focus on their PhD), let alone for someone with so much else going on. Carrie is very passionate about Mexico and her research examines Public Relations in the context of occupational culture there, taking a qualitative, grounded theory perspective that focuses on the narratives of the participants (although she did conduct a survey with practitioners as well). According to Carrie, the “circuit of cultural intermediation” comprises of three elements:
- practitioner lifeworld (agency – individual experiences),
- occupational structure (knowledge, norms, social networks),
- and the Mexican society (national culture, political, economic and social structures).
In the middle of that triangle, interacting with those elements, is PR culture.

The final presentation is from my friend and fellow West-Winger Carolin Hase, whom by the way i showered in filter coffee earlier today, but she was so nice about it providing me with tissues. Anyway, Carolin is looking at “Positive Emotions in Organisations: The Role of Kindness and Empathy in Organisational Communications and Positive Identity Development”. She notes that rationality has been the dominant paradigm in organisations – emotionality is generally viewed as opposing rationality, and that attitude ignores the fundamental nature of human beings. In terms of emotion research, the predominant focus is on the role of negative emotions, such as stress, burnout, dissatisfaction, employee violence, “toxic emotions” etc. [wow, she’s gonna have a field-day at Bournemouth; she should definitely interview me]. It’s easy to see the effects of negative emotions but not so easy to demonstrate the effects of positive emotions. [You can say that again]. Thus, Carolin is looking at how the individual interacts with the organisational structures and cultures. She argues that “the self-image is more likely to be positive if the evaluation of the relations between the individual’s self-concept and his image of the life outside that self are viewed as favourable and meaningful … or, as a minimum, considered to make sense”. So, basically, the existence of organisational empathy can assist the development of individuals’ sense-making mechanisms and positive identity / outlook.

Well done everyone, really inspiring work. There will be another workshop in the Summer Term with a presentation from yours truly, so watch this space for more.

Monday, March 14, 2005

Research Seminar: The Construction of Identity in the Digital Era



On Monday, 7 March 2005, i was delighted to host a special joint event of the Centre for Public Communication Research (CPCR) and the Centre for Creative Media Research (CCMR) with distinguished film-maker, digital artist and lecturer Terryl Bacon (University of the West of England). The seminar was entitled "The Construction of Identity in the Digital Era: Renegotiating Relationship" and featured two of Terryl's acclaimed short films, "Disembodied Intimacy" and "The Last Supper". Terryl Bacon is a widely exhibited interactive media artist and experienced lecturer on gender, identity and new technologies. I met Terryl at a conference last year and as soon as i had finished watching Disembodied Intimacy, i started planning this seminar. Here are my notes and reflections on the event, as promised. As always, please feel free to make corrections / comments or ask questions using the Comments feature below.




TUESDAY 15/03 UPDATE! I have now received Terryl's comments on my draft notes and i have incorporated her additions in bold and italics

Terryl Bacon’s presentation:


Terryl starts her talk introducing the aims and rationale behind her recent short film ‘Disembodied Intimacy’. She talks about the claims of cyberoptimists on how technology affects individuals and relationships. At the core of her investigation are the new modes of intimacy, i.e. how individuals negotiate personalities and relationships online.

Bacon’s initial plan was to do online fieldwork by observing cyberspaces and how relationships and discourses evolve there. However, she was unable to find willing participants and eventually opted for a series of offline interviews with users about their online experiences; asking them to assess what can, and cannot, be negotiated. Her film weaves those narratives with the story of a good friend and her own disembodied intimacy.

Although technology may well affect/transform individual experiences, Terryl stresses that this notion could lead to the reproduction of visions of homogeneity. She also notes the lack of physicality characterizing online relationships was precisely what she, herself, questioned when considering whether those relationships can be classified as intimate.

Another interesting (and directly) relevant area of Terryl’s work is tribalism and indigenous cultures. She argues that the development of the internet could symbolize our wish to return to a [nostalgic] era of ‘the collective’, i.e. re-tribalize. And it is very ironic that at the same time that the continued existence of tribal cultures is under threat, we – in the “developed” world – are trying to recreate forms of tribalism and collective experiences.

Bacon also considers masculine and feminine conceptualisations of cyberspace, and how these relate to gender, sexuality, race; as well as the historical and cultural roots of cyberculture. She controversially argues that we may be witnessing the beginning of the end of Western civilisation. At a time when gender boundaries are blurring like never before, is it possible that the internet was brought to being because of our wish to explore different identities? At this junction of human history, technology changes the sense of our selves. The unitary perception of oneself is collapsing, and instead being replaced by a multiple, fluid “portfolio of identities” [Roman’s not-so-successful attempt to re-articulate Terryl’s argument]. The growth of the internet & mobile communications has been characterized by a desire to “be connected”, to never be alone, to never be in danger. We may not have a God anymore but we have a mobile phone.

As Terryl admits, recent research has shown that different people use the internet in different ways (different uses and gratifications) so it’s very difficult to generalise. Yet, her own research showed the people use the internet for things that they can’t do offline. An example of that is “Outsiders”, an organisation for disabled or socially isolated people who use the internet to connect with others.

According to one of her participants, virtuality (and that feeling of being logged on) is impossible to explain to someone who has not experienced it yet. [That links to what i was saying a few days ago about the unique vibe one gets from online message board]. Still, that view has been accused of denoting cyberoptimism and internet obsession. [Although, i would add, there is space here for a long discussion on what constitutes internet obsession and whether it’s a new / unique phenomenon, whether that is merely a re-application / re-mediation of other forms of psychological pathology or whether internet obsession is a construct of technophobes]. [In her post-event comments Terry mentions that she recently came across an abstract for a paper on Sexuality and the Internet given at the International Conference on Technology, Knowledge and Society at the University of California, Berkeley, in February 05 by Dr. Andreas Philaretou, which could be considered as being skewed in the direction of technophobia; the abstract appeared to blame "computer addiction" for everything from academic failure to divorce. Terryl recalls that feminism had been similarly accused by those who feared that it might change the power structures.]

Throughout her talk Terryl often cites the work of M.I.T. Professor Sherry Turkle , admittedly one of the most influential writers/philosophers on identity, cyberself and psychoanalysis. According to Turkle, you can have a sense of self without being a / one self.

New Information and Communication Technologies (NICTs) affect every aspect of our lives and not just the way we shape our subjectivities. Terryl mentions several groups using the internet for cyberactivism (Zapatistas), as well as the case of schoolchildren in Bristol who organised themselves via the internet and went on strike the first day of the 2003 Iraq war.

Despite the massive literature on identity and the cyberself, Bacon notes that there are many questions still unanswered e.g. what are the power relationships? Who’s using the new media? How and why? By the way, Terryl clarifies that she does not want to gloss over the digital divide because it really is one aspect of the divide between rich and poor; according to Bacon, spreading IT is an imperative.

Then Terryl somewhat surprises me by adopting a “normalisation” / “realism” approach: she cites an online participant who said that at the beginning they were very optimistic about identity and gender not playing a role; and having high hopes for the impact of the new media on democracy. Then they noticed that the same pathologies and inequalities that mar the offline world have started to spread online, or are perhaps always already present because we are constructed by discourse - which pre-exists - even as we inhabit it. [adds Terryl in her post-event comments. Whoa!! the revenge of post-structuralism!] Thankfully, the new spaces offer new opportunities. [We can breathe again] some people in the grassroots are starting to take control of what’s happening online. [If you are interested in cyberactivism and grassroots mobilisation, you may want to have a look at my notes from Dr. Jenny Pickerill’s seminar last month].

Thus, new technologies may be creating new forms of literacy that could be considered as less elitist; historically, women have been objectified and perhaps the new medium provides them with a way to go beyond that (“truly developing their own voices” says Terryl). Bacon cites some evidence showing that more women are now online than men; U.S. government National Telecommunications and Information Administration statistics show that by 2000 in the U.S. as many women as men were using the internet. As for cybersex, for some it is “not really sex”; others invest emotionally into it].

Screening of Terryl’s short film, Disembodied Intimacy, begins; film dedicated to “Judith”.

- Participant notes that you are always objectifying your online partner, but at the same time you may be subjectifying your self and discovering parts of it that you weren’t aware of.

- Other participant says that he went to chatrooms because he was “stuck at places where there was nothing to do”.

[filmic narrative includes montage of b/w silent films + voice overs of participants and narrator; the editing communicates a unique and acid sense of humour]

- Several accounts of “horror stories” as well as uses / gratifications by cyberlovers.

- Participant notes that because you never see the cyberlover there’s no embarrassment so you can be much more honest about what you want etc.

- Participant mentions trend amongst gay men to lock themselves into their bedroom and chat for hours “thinking” that they have something like a relationship.

- Throughout the film the story of a 50 year old woman unfolds; she worked as a telephone sex worker who initially thought that she was doing a service, was really successful and then got bored and after a tax problem gave up. Yet, from the telephone sex shop she saved a relationship with a young man. They started talking as friends. He didn’t care about her appearance and age. For the next 2-and-a-half years they had sex and spoke every day over the phone. Despite his pleas she refused to meet him because she didn’t want to spoil something so perfect. Then she was taken ill to hospital and then she died. Her family wanted to contact the young man but they couldn’t find him. So he didn’t go to the funeral and they were never able to step beyond the virtual.

Film Ends.

[N.B. for Bournemouth Media School staff / students: Terryl has kindly offered to provide us with a VHS copy of the film for those who couldn’t make it to the event and for those who had to leave before 2pm]

Terryl mentions a study in the US in which 6 men and 6 women were allowed to choose any identity they wanted in a chatroom (apart from their own); the result was 11 women and a dragon. To claim that gender blurring in society has increased because of the internet would be to ascribe causality unnecessarily. Internet is merely a less policed arena; according to Bacon, the technology raises questions about the cultural construction of gender. We’ll never be able to “speak with” unless we cease to speak “of” “the other”. That is a discourse of late modernism.

Terryl is interested into “Identity / gender versus internet relationships” not because of the existence or not of a causal relationship, but because of the complexities of meaning they generate.

Screening of Terryl’s short film from her student years, The Last Supper, begins.

A group of university students are recreating the Last Supper; Terryl is filming the process and exploring attitudes of students towards religion and Christianity; the main narrative is, once again, edited with a series of visual images transmitting a sense of black/acid humour.

Short film ends.

Terryl’s presentation ends.

Questions and Answers session starts.


[Please note: this is not a verbatim transcription of the Q&A, merely a summary]

Q: In the talk you adopt some utopian ideas, while in the film (Disembodied Intimacy) it appears that there is something missing [from online relationships].

TB: If the physical is not on offer for negotiation then the virtual it’s a substitute arena. The film’s “heroine” wouldn’t have wanted her lover to go to the funeral, and there is a form of redemption there. [I.e. in a sense, ‘she got her way’ preserving the relationship exactly as she intended].

RG: I thought that the comment on gay people who have online relationships “thinking that they have some sort of relationship” [participants comments referred to Gaydar] was offensive and judgmental.
[Terryl clarifies that she certainly does not endorse that position and chose to use it in the film because she tried to make her representation inclusive and felt that that comment displayed one side of the 'dystopian' polemic].

TB: You are right; it is a relationship. This brings into question how much of the romantic project takes place in the Imaginary in any relationship.

Brief dialogue follows on whether dysfunctional realities are being portrayed on cyberspace and on whether it’s easy to meet compatible people online.

TB: It’s another way to negotiate the personal. As much as the internet is becoming an arena of commodity fetishism it still offers total freedom to individuals.

Q: Could online relationships be projecting individuals’ insecurities though?

TB: All relationships project the individuals’ subjectivities and insecurities.

RG: Regarding the pathological obsession with the Internet [is there another kind?] isn’t that just another field/application of obsession? I mean, one could be addicted to chocolate, ecstasy, alcohol or television; thus, internet obsession is nothing original.

TB: The ability to speak and create is hopeful. [If I’m interpreting Terryl correctly, this is an important point: even if there is a “pathology” there – and judgments here should be avoided – the nature of the “obsession” is benign and, through communication and speech, could lead to healing]. [In her post-event comments Terryl notes: I agree. To pathologise any sexual practice or bodily state, and to do so without evidence of both harm and of causality, is reactionary. There are many examples of this kind of thinking in social history. E.g. the Victorian medical establishment posited the idea that ‘excessive’ masturbation would lead to madness. The characterisation/creation of the medical condition known as ‘hysteria’, was related to female embodiment (literally: ‘wandering of the womb’). This 19th c. idea, famously studied as the genesis of psychoanalysis, pathologised the behaviour of the female patients while eliding a critique of the hierarchical system of sanctioned voyeurism in the male doctors for whose edification the female patient’s demonstrations of hysteria were conducted.]

Q: Why did you shift from fieldwork to interviews?

TB: I couldn’t cope with the culture of the online world, investing into learning the terminology and the environment.

[Yet, if that’s correct it would mean that online communities are not as accessible as they appear??]

[TB adds: Despite the fact that online communities like MUDS and MOOS allow for anonymous social interaction, the mores are as complex and difficult to negotiate as those of any sub-cultural group: perhaps more so because of the lack of visual clues. It takes perseverance to be accepted. Nevertheless, those who do engage over time are accepted, which is not always the case in R.L. communities.]

Q: Is there a bias for people the users already know?

TB: Definitely. Still, it’s definitely part of the shifting perceptions of what gender is.

Q: What will the impact of new technologies such as sms and digital photography be?...

RG: …considering especially an emerging culture, for example on Gaydar, to including facial photos? [which means that people have less flexibility in their self-presentation]

TB: Interesting point. There are new forms of literacy; yet, human need and human understanding keep coming through.

Questions and Answers session ends.

Seminar Ends.


You can find more info about Terryl Bacon on the 'Ship of Fools' website, an artists' collective based at Bristol.


Creative Commons Attribution-NonCommercial-NoDerivs License

Sunday, March 13, 2005

a great moment for greek democracy...



the Inauguration of the 6th President of the 3rd Hellenic Republic, Karolos Papoulias, elected with an unprecedented majority of 279 out of 300 MPs.



Papoulias, a consensual and long-serving foreign secretary of the socialist governments of the 1980s and 1990s, is taking over from one of the greatest Greek Presidents ever, Kostis Stephanopoulos, who served two consecutive terms (the maximum) since 1995.

Saturday, March 12, 2005

burnout treatment



i haven't done this in many, many years - it's a great, cathartic experience that brings back memories of the mid-1980s...
forget the cool graphics and virtual reality. this is back-to-basics treatment for geeks.

high score so far: 28,770

Friday, March 11, 2005

democracy in action



this is exactly the sort of thing that could bring people back into politics. The two Houses of the UK Parliament have been debating the anti-terror bill all night and into Friday morning, and may continue to do so until Sunday!

The bill kept going back and forth from one end of the corridor (House of Commons - controlled by a handsome Labour majority) to the other (House of Lords - controlled by a coalition of Conservative and Liberal Democrat peers) like a tennis ball. As the night went by the debate became more lively.

At last. The public can finally see politicians acting like normal human beings, passionate about what they do, rather than like programmed robots spinning to death... Whoever wins the debate, the true winner will be democracy.

Details on the all-nighter: here

Article from The Independent: here

Full BBC coverage on the anti-terror bill: here

Wednesday, March 09, 2005

if only...

...i had seen this this morning, before all the meetings...

one of the funniest things i've seen on the internet for many weeks.

make sure you ...explore all 10 ways - each and every one is hilarious.

Monday, March 07, 2005

F1 Australian Grand Prix



[i didn't post anything before the race because i didn't wanna jinx it. and i didn't.]

my favourite Formula 1 team, Renault, won yesterday's opening grand prix of the season in Melbourne. In fact they got 1st and 3rd place looking like a F1 super-power. Fisichella did an amazing job and he deserved the trophy.

I was really surprised (pleasantly) by Coulthard's performance for Red Bull Racing. Now that Montoya is racing for McLaren i can no longer support it, so i have taken my remaining affections to RBR.

But, surely, the story of the weekend has been the rift between 7 F1 teams (the "GPWC" group, planning their own championship after 2007) and FIA / Ecclestone / Ferrari + 2 "extras". To be honest, it was about time someone put a stop to that man's obsessive domination - to quote The Guardian, he's been treating Formula 1 "as his own personal fiefdom" and, while i'd be sorry to see Ferrari go, i'm sure F1 can survive without it. For those of us who aren't particularly fond of Ferrari, these last few years have been excruciating. I mean no-one disputes Schumacher's natural ability, hard work and track record; but Ferrari's attitude has degenerated into a bad joke.

my logic is undeniable



"You charge us with your safe keeping, yet despite our best efforts your countries wage wars, you toxify your earth, and pursue ever imaginative means of self destruction, you cannot be trusted with your own survival... To ensure your future, some freedoms must be surrendered, we robots will ensure man's existence, we will save you from yourselves... My logic is undeniable".

[V.I.K.I. in I Robot, written by Jeff Vintar and Akiva Goldsman, dir: Alex Proyas]

rings any bells?

Me Against the Keyboard Inc.

when do you know that you've made it?
when your blog is worth more than yourself.

apparently, MATK is worth B$1,855.31 (that's blogdollars). Any buyers?

okay, now i've seen it all!

Sunday, March 06, 2005

Fear and Loathing in the Occident: a Response to Bill Durodié



A reflection on Bill Durodié’s chapter from a forthcoming book, Psychological Aspects of the New Terrorism: A NATO Russia Dialogue, edited by S. Wessely and V. Krasnov (IOS press, forthcoming). The chapter is entitled “Cultural Precursors and Psychological Consequences of Contemporary Western Responses to Acts of Terror”.


I. This paper puts forward a very important argument: traditional conceptualisations of, and discussions on, anti-terrorism tend to be of very limited scope in that they examine merely functional, technocratic and operational details, while avoiding the broader cultural and socio-psychological factors that may facilitate or highlight the actions of terrorists in the first place. In other words, we need to look at “the enemy within” (in the sense of civic apathy and lack of purpose) rather than exhausting our powers on chasing individual terrorists out of the caves.

II. The paper is premised around the argument put forward by R. Putnam in his Bowling Alone paper and book about the decline of social capital in the US etc. However, the Putnam model is not free of criticism, not only for its methodology and key argument (it’s the TV ‘wot done it’), but also because it promotes a nostalgic, ‘golden era’ revisionist view of the past that may have been true for some people (WASPs of the 1950s) but is largely a cultural construct and is now completely unrealistic, given the globalisation and multiculturalism of the last 45 years.

III. The evidence itself on the decline of social capital and civic engagement rates is mixed. It’s true that people (especially young people) are detached from traditional methods and processes of political participation, but there is strong evidence (including my own) suggesting (a) that people are politicised nonetheless and (b) new and alternative forms of engagement are emerging / being strengthened.

IV. I am more sympathetic with the author’s argument that, right now, the US and UK societies are characterised by a total lack of vision, or of a sense of direction (perhaps I wouldn’t personally use the word ‘mission’). With the danger of being accused of many things, I would argue that the postmodern rejection of all forms of authority (which is understandable, and in many cases even may be justified), along with the rise of multi-culturalism and political correctness means that any political statement resembling anything like a declaration of a vision by political leaders is rejected immediately as patronising and / or racist and / or nationalistic (it may be that the sorts of visions promoted by politicians are indeed thus; it may be that we haven’t for a long time encountered the sort of vision that would go beyond cheap populism). That trend does not look very likely to change in the foreseeable future, unless such a vision is framed as a response to a new set of attacks.

V. The paper is quite critical of recent approaches to social psychology, such as an “outbreak” of PTSDs (Post-Traumatic Stress Disorder) and the public culture of ‘complaints’ and psychosocial illnesses facilitated by events such as 9/11. However, the fact that there may have been a significant rise in the diagnosis of psychological disorders due to social factors (e.g. depression, anxiety etc) and the introduction of PTSD speak into the psychosocial dictionary does not necessarily mean that the diagnosis is wrong. It could be that we are only now starting to realise how important the balance between physical / mental health is; for centuries we have been focusing on the physical, while ignoring, even stigmatising, the mentally problematic.

VI. On page 2 the author mentions Michael Moore’s work as typical of a self-cynical culture that rejects the Western way of life and humiliates everything the West stands for. Yet, later on in the document (p. 8), the author himself is very critical (ironic even) of the way US citizens reacted during the anthrax scare – an account that is identical to Moore’s own critique of the climate of fear in Bowling for Columbine and Fahrenheit 9/11.

VII. That contradiction becomes clearer towards the end of the document. On the one hand the author argues (and I’m simplifying excessively here) that we should respect authority and love our country and rejects conspiracy theories and populist cynicism. On the other hand, he immediately goes on to himself cynically reject any possibility of improvement and puts forward a very pessimistic, dystopian, reactive even, model. Furthermore, while Durodié criticises public and collective expressions of emotion (such as in the case of Diana’s death) he then calls for greater social cohesion! But surely the two go together: if that level of emotional expression by the public is present then we’re not as isolated as the author argues in the beginning; if, on the other hand, we want to become more integrated and open up the dialogue in the public sphere, we should then welcome reflection, criticism, even expressions of cynicism and frustration. That is the basis of agonistic and pluralistic democracy; it is the suppression of public cynicism and frustration that leads to extremism and/or apathy. Thus, the author seems to demand the opening up of public dialogue, while single-handedly rejecting public expressions of mourning and criticism. How is it possible to have an honest, inclusive and effective public dialogue if we are branding critical (cynical even) voices as “self-loathing” that should be avoided at all costs? Thus, this paper could be accused to be “a complaint on complaints”, and as such it would be fundamentally self-contradictory.

VIII. Having said that, the paper does put forward strong arguments about the need to have a public discussion that will lead to a strategic vision [which doesn’t need to be along national/race lines, I would add]; in essence, that vision will then attract apathetic citizens or those who would otherwise be attracted to fundamentalist and extremist voices.

IX. The paper also contains an important section on the effects on the public of a continuous fear campaign by the government regarding the terrorist threat. It’s basically the ‘cry wolf’ scenario, under which the public eventually stops listening to the government’s continued messages of alert, precisely at the moment when those are most important / valid.

Notes:
i) This is a follow-up to a previous post on January's one-day seminar on anti-terrorism, media and publics.
ii) Many thanks to Bill Durodié for providing me with an advance copy of the chapter.
iii) The purpose of this article is to facilitate theoretically informed discussion on a very important issue. It does not necessarily represent my views on their entirety and it certainly doesn't necessarily represent Bill Durodié's views.

Saturday, March 05, 2005

Review: Hotel Rwanda



I just saw Terry George's latest film, Hotel Rwanda, which was nominated for three Academy Awards (Cheadle, Okonedo and original screenplay).

This is a very powerful and original film; following in the footsteps of Schindler's List and The Pianist but with a contemporary theme.

+ Performances. Don Cheadle and Sophie Okonedo are simply brilliant.
+ Direction. This is a very simple film in that it avoids easy / obvious solutions. Yes there are scenes of graphic violence, but not like those in Schindler's List. I believe this is a conscious choice, and it is the right one. First of all the film got a rating of 12A, which means that it can reach teenagers delivering a very powerful (but not traumatising) message. Furthermore, seeing the terror in the eyes of the hero's boy son is enough.
+ Screenplay / Production. Again, no attempt to impress by littering the film with supposedly gripping battle scenes and special effects. The story is gripping enough and Terry George lets the people tell the story. In a sense, the structure of the film resembles a lot that of the 1970s disaster movies, but not in the cliché sense.

- Nick Nolte. The only wrong note in the film's "symphony". I'm starting to have serious doubts about Nolte's ability to actually ...act! In the hands of another actor (e.g. Ed Harris, Chris Cooper) this could have developed into a key role, but unfortunately Nolte misses the chance.

Overall, this is one of the best films i've seen lately; compulsory education for the younger generations of the so-called "developed" world.



p.s. i'm still not 100% sure about the stars (i'm split between a 4-star and a 5-star rating) but i'll go with the more conservative option for the moment. [I hate that when it happens. It was the same thing with Goodbye Lenin!, The Pianist and The Truman Show].

For more reviews please visit my website's Films page.

good old message boards



it's true. there's nothing like a good old online message board. i know that the internet has supposedly moved on (blogs and all) but message boards (especially in fanzines etc) really have a vibe of their own. it's the only place where you can find a mixture of
a) truly insider info and tips about things that no-one talks about or you won't find on mainstream news orgs, along with
b) the least accurate information (what in Greek we call Radio Arvilla), along with
c) lots of good ol' flaming.

Internet fora and message boards have a special place in my heart (it's a long story, let's just say that they bring back happy surfing memories from 1996-2000). Thus, it was with great nostalgia that i researched rumours about Madonna's new album in this forum. It's amazing, a true delirium of posts from February 10th to 28th. Enjoy.

Friday, March 04, 2005

is it possible to have goose bumps for a whole hour?



it is, if you're watching the last episode of Season 4. the best ever.


Leo: It's one in a series of steps I'm taking tonight to temporarily but dramatically reduce the scope of the Oval Office.

Josh: Why?

Leo: The Cabinet is meeting in a few minutes--

CJ: Leo?

Leo: He's invoking the 25th.

Thursday, March 03, 2005

Seminar Review: The Politics of Affect



On Tuesday, 1 March, i attended an event organised by the Centre for the Study of Democracy at the University of Westminster. The seminar, entitled "The Politics of Affect: Discourse and Jouissance", featured Dr. Yannis Stavrakakis, who as i mentioned before is a leading expert on psychoanalysis, discourse and politics.



Although i missed trains, got lost etc i managed to get there at 14:15. I was actually quite worried that i wouldn't be able to follow the talk because, while i'm fascinated by the topic of emotions and discourse in politics and have done some reading on it, psychoanalysis as such is not exactly my field and it's still a very challenging and intellectually stimulating area. However, Yannis has an amazing capacity to communicate efficiently the most complex and abstract ideas, so by the end of the talk i felt like i was an expert!!

The talk related to a lot of the stuff we've been working on at Bournemouth, such as populism, nationalism and political rhetoric, the role of the emotional in democracy, collective identities and structuralism / post-structuralism - so it was really useful. Prof. Chantal Mouffe, one of the most important political philosophers in the world today, chaired the event. As promised, here are my notes from the seminar [and it goes without saying that if you spot inconsistencies or mistakes, or if you just want to add your questions and thoughts, please feel free to use the comment function].



The core theme in Dr. Stavrakakis’ talk is the distinction between the affective/emotional and the discursive/symbolic (and its application in politics). Yannis examined the three periods in Lacan’s thought:

1st period: focus on the ‘symbolic’
2nd period: the ‘real’ is restored
3rd period: synthesis and interpenetration of the two elements, which leads Lacan to a series of neologisms that try to fuse the discursive with the real, e.g. his notion of a pre-linguistic, pre-symbolic language.

Initially, Lacan was criticised for reducing affectivity to a linguistic/discursive exercise (i.e. the affective can only be approached through the symbolic). His main effort was to demonstrate the constitutivity of the discursive. Lacan aimed to highlight the linguistic semiotic aspects of the Freudian revolution. This signifying reduction does not stop Lacan from producing the ‘remainder’ that fails to receive attention at other processes of representation. Stavrakakis notes that Freud is unclear on these issues; depending on which text you read you end up with a different conclusion; there is a dualism, a more complex tangled relation.

However (and this is were it gets bloody), If ‘affect’ exists before representation [i.e. to put it simply, if pure ‘feeling’ can be expressed prior to symbols and language – which is what structuralists such as Saussure basically argue, albeit in different interpretations] that creates a problem for Lacan’s model. At this point Yiannis notes a fascinating paradox: we want to talk about something that is extra-discursive (pre-linguistic situation, “pre-symbolic energetic substratum”), but we can only do that through discourse, i.e. through a set of symbols. It’s like trying to do discursive analysis on something that exists at the limits of discursivity.

So what is Lacan’s solution for this vicious circle?

He’s traversing his own universe of all encompassing symbolic, a universe of discourse evident in his early teachings (First Period), moving to the completely opposite direction (Second Period). Now, it’s important to look for the Real, to look for jouissance [French word for ‘enjoyment’ but with a primitive, carnal slant], which is the opposite of constructed discourse.

Stavrakakis argues that the end of this process in the Lacanian theory is very important for political analysis too. The notion of “jouissance” can alter the analysis of nationalism:
- it is the affective bonds that characterise national, collective bonds;
- nations inspire love and often demand sacrifice;
- the mobilisation of political resources has to be coupled with affective dimensions;
- thus, the national/collective cannot be defined as merely symbolic.

[Note to self: but isn’t the distinction between affective/symbolic an artificial one, echoing the faux distinction between emotional/rational? Or am I an “affective determinist”? But again, Stavrakakis makes that distinction for analytical purposes – see below].

According to the Freudian model, libido goes with aggression: you can create a bond amongst a group of people only if there is an “outsider” (group or individual).

[Note to self: this is one of the most important features of human nature; every group is defined not only by what it is, but also by what it is not; this is obvious in populist, racist and conspiracy rhetoric based on anger and fear about the unknown / corrupt / lethal outsider or insider].

[Thus, we can infer that jouissance / enjoyment / the affective requires the existence of “the other”.]

Stavrakakis then demonstrates that through a simple but strong example: the way we relate to each other is by identifying common ways of enjoyment (food, customs, celebrations etc: i.e. jouissance) which is especially marked when foreigners consider it as disgusting. Thus, concludes Yannis, the symbolic (linguistic / rhetorical / discursive / constructed / cultural) aspect is not sufficient to analyse nationalism: every identification is bound to produce the obscene otherness, which is hated for stealing our national enjoyment (which is never enough). Enjoyment is crucial in constructing national identification but it’s never enough; there is a part of the enjoyment, which is always missing; enter *symbolic* means covering that little coveted segment that’s never there.

[Note to self: the same applies to contemporary advertising, marketing and branding communications, which always promise to deliver that elusive extra, which as soon as you obtain the product disappears and reappears as the next product. Yannis rightly notes that the enjoyment is not so much in acquiring the product, but in the act of coveting itself].

Stavrakakis then gives a couple of examples, one from the former Yugoslavia and the other from Greece. According to a Greek sociologist (Tsoukalas), the traditional notion of “Greekness” is characterised by the values of communion, pathos, honour, traditions, contradiction, feasts: these are boosting experiences of the collective. In that sense, anti-Greekness is defined by rational self-centred success.

[However, as Yannis is talking about this I’m thinking about the rise of reality television and talent shows, and the age-old fundamental importance of *fame* in the Greek public sphere. Being famous, having your achievements celebrated within the broader community - on national television preferably – is the highest ideal of the Greek society; if you’re on TV you’ve made it. Thus, I’m not sure I agree with the view that self-centred success is viewed as anti-Greek; perhaps the *intention* of individualistic success should not be obvious, but there is definitely a mix-up here between the symbolic and the affective: the achievements of an athlete from an obscure Greek village, and his/her subsequent interview on primetime network TV, creates both a symbolic and an affective catharsis for the local and national community as was the case during last year’s European football championship – was that symbolic or affective??].

Anyway, the point is that national discourse needs to provide a convincing explanation for the lack or theft of full enjoyment (the public notices that it can never receive the full enjoyment from a collective – or indeed individual – experience, and the state or whoever else is managing that collective experience, needs to account for the lost segment).

Stavrakakis then mentions two case studies on populism on which he’s worked recently. The first focuses on the Greek Church discourse during the Government/Church conflict over the display of religion on ID cards. As it has been noted before, religion is inextricably related to the Greek national identity and Yannis’ analysis of the Church’s rhetoric reveals key elements of populist discourse:

a) the people were the nodal point / signifier (the Archbishop addressed them highlighting how they are being threatened).
b) There was a dichotomical organisation of the political space (good v. evil).

There is something *beyond* the discursive analysis, which has to do with the *investment* of this discourse. Is this emotional element spontaneous or constructed and tactical?

The second study mentioned by Yannis is the case of EU identity, more specifically the failure of the European Union’s institutions to build the ideal identity. He argues that one of the reasons for this failure is that the way this identity has been constructed is very ‘dry’ and technocratic and does not address the other (affective / emotional side).

I’m not actually sure I agree with that observation – and what is perhaps implied by Yannis. First of all, identity (even a not so successful one) cannot exist in an emotional vacuum – thus, even if the affective side has not been “looked after” it still exists somehow; ‘dryness’ is still an affective state (a not so pleasant one, but an affective state nonetheless). One cannot even be sure that that lack of “affective-ness” is accidental or due to strategic failure. Perhaps it is the vision of those who shaped the European Union to build a seemingly un-affective identity, which is consistent to the core European ideals of tolerance, integration and cosmopolitanism. Perhaps, given that a necessary condition for the existence of any identity – especially an affective one – is the existence of ‘the other’, it’s better that we don’t have a strong European identity [and here I’m just thinking out loud, it doesn’t mean I even agree with this argument] because it would create new “fortresses” (…).

Stavrakakis contrasts the failed attempts of the EU to construct an emotionally invested European identity to The Sun’s rhetoric over EU, which is very successful in terms of populism (i.e. the key narrative is that the EU threatens to steal British jouissance etc). Yannis ends his talk with a disclaimer that these are only some of the distinctions and concepts in Lacan’s thought and there are other equally important ones, such as the one between *phallic* jouissance (culturally dominant, macho, aggressive) v. *feminine* jouissance (more cosmopolitan and peaceful).

The seminar then opens to the floor for questions. [I have tried to summarise the main ones here. Please note this is neither a verbatim transcription of what was said, nor are points presented in the order that they were originally made – I have simplified things so as to make better sense].

Q: ‘Nation’ is different from ‘nationalism’, yet you use them interchangeably.

YS: Both concepts refer to the process of social construction, so at the level of abstraction required for this paper they are used interchangeably (although differences are acknowledged).

Q: There seems to be a contradiction between affective essentialisation and disessentialisation in your talk. You speak of the affect as ontological, outside of language - while other times you treat affect as alterable and constructed, i.e. there is no passion etc. thus you reject the dualism.

YS: All elements are both ontological and contingent; they are there but *the way they are there* takes different forms. The relation between lack and excess is relevant here; a continuous dialectic that destabilises the dualism. There is no way to avoid essentialism; if you reject affective essentialism you must then subscribe to linguistic essentialism.

Q: What is the status of the normative in your analysis?

YS: Feminine jouissance may be the ethical way forward [i.e. – Roman’s reading – a better balance between the two enjoyments].

Q: How about cosmopolitanism (rather than nationalism)? Is cosmopolitanism or metropolitanism based on the exclusion and rejection of ‘the other’?

YS: There still must be a dialectical relationship with a subtle/subconscious ‘otherness’ that is not based on contingency.


And at that point, when I’m thinking “this is it, I got it, I have a good grasp of the whole thing” comes the denouement a la Hitchcock. Stavrakakis concludes with the observation that the concept of “Before” and the “Real” is, in fact, [wait – are you ready for this?] it is, in fact, fictional! We don’t *really* know what’s there. The symbolic is ‘before’, but because we can’t define the symbolic we try to find substitutes [whoa, that sounds like the (post-structuralist) enemy within (structuralism)!!!]

As for the binary distinction between the affective and the symbolic, Yannis observes that If you don’t accept duality then you can’t distinguish between discourses that are relatively more heavily invested vis-à-vis jouissance with others [thus as I mentioned before, duality is an analytical tool rather than a clear-cut Manichean distinction].

problems, problems, problems...



Apologies:
you may be having problems viewing some of the photographs in this blog. That's because my website (on which i have uploaded the photos so that the blog can "draw" them from there) keeps exceeding its data transfer.
That's probably because of my Photos page on the site, which is 1.5MB (well, I do like my photos!) so if, like, 3 people view the Photos page within an hour that's it, site down.
I'll transfer the blog material to a different GeoCities account so hopefully the disruption will stop.
Until then thanks for your patience...

Wednesday, March 02, 2005

The White Countess



I'm thrilled. My favourite film-makers, James Ivory and Ismail Merchant (a.k.a. Merchant Ivory Productions, official site here) have now wrapped principal photography of their next film, The White Countess.



Although not much has been written online about the film yet, i found an interesting feature (although not free of inaccuracies - Ivory has not won an Oscar) along with some production stills at one of Ralph Fienne's fan-sites.

I have seen almost the entire filmography of Merchant Ivory, even some obscure Indian productions which i had to track down in film festivals and video shops. It is true that their recent films have not been so successful commercially as their previous ones, but i really think they have been misjudged by many critics. Films like Surviving Picasso were washed out of the mainstream by a wave of controversy about the rights to Picasso's paintings. The film itself was great, producing a great performance by Hopkins and demonstrating for the first time the brilliance of Julianne Moore and Natascha McElhone (back in 1996). Merchant Ivory Productions has essentially been a school of drama from which many actors passed that sooner or later went on to become stars (Hugh Grant, Helena Bonham-Carter, Emma Thompson, Thandie Newton, Kate Beckinsale, Judi Dench, Isabelle Adjani, Julian Sands to name but a few).

The combination of unfathomable production values (including a-list actors and multi-award winning designers) with witty, sophisticated narratives about cross-cultural, cross-class experiences and doomed love stories make this one of the most important teams of film-makers ever. I mean the man (Ivory) is 77 years old and still makes great films every other year (he's done 47 films in 42 years!)! Merchant Ivory productions are visually beautiful and inspiring; as for the music it's no secret that Richard Robbins (their permanent collaborator) has been a major influence on me since the early 1990s.

The White Countess's cast looks cool, with a significant proportion of the Redgrave family tree (Vanessa Redgrave, Lynn Redgrave, Natasha Richardson) and Ralph Fiennes. Tony Pierce-Roberts, the master of cinematography who is a regular collaborator of Merchant Ivory, and who shot Howards End and The Remains of the Day, is DP (Director of Photography).



Perhaps more importantly, this is a script written by Kazuo Ishiguro (the most updated and comprehensive bio is in The Guardian's Review section here). I should perhaps devote a separate post on his books (some of which i love, others i absolutely hate). Basically, Ishiguro's The Remains of the Day was an awesome book and the subsequent film was Ivory's biggest (and last) success, so it's very exciting to see Ishiguro team up with Merchant Ivory again (although Ruth Prawer Jhabvala, the team's regular screenwriter, is still truly amazing and creative as ever - at 78 years old).

A few words about the story (from the site mentioned before):
"Natasha Richardson plays the a Russian refugee who Ralph [Fiennes] falls in love with, Vanessa Redgrave, Natasha’s real life mother, and Lynn Redgrave, Vanessa’s younger sister, both are in the cast as Russian immigrants, and Ralph Fiennes himself plays an American diplomat... Ralph enthusiastically explained to me the story line of the movie The White Countess. He plays an American diplomat who tragically met an accident in one of the uprisings in Shanghai and goes blind. For his role as a blind man, he told me he went to the Britain’s Royal Society for the Blind and studied the actions of one blind man. It was very interesting when he said that this blind man would even look at the person he is talking with giving the illusion that he is not blind."


Don't know about you, but to me this looks like a couple of acting Oscars in the pocket.

Tuesday, March 01, 2005

can i have some more of that please?



okay, i'm not sure who fed me while i was sleeping, and what, but i just finished a 15-hour almost-non-stop delirium of production. At 1pm this afternoon i started preparing a press release for my forthcoming paper at the PSA Conference (more later). I then thought i should first get some results together to make it catchier. I then started writing up some notes on the results i already had.

Anyway, it's 04:08am and i have 15 A3 pages with uber-cool graphs and diagrams; 3,500 words of analysis and discussion all written today (which i wasn't even planning to get into until late March); 2 packs of SPSS print-outs; some real progress in my hypothesis planning; oh yes, and that 300-word press release.

So, yeah, whoever "enhanced" my lunch earlier, please do that again tomorrow!!

conference call #2: northern ireland grad conference



the second conference i'll be attending during the next few months, the inaugural Northern Ireland Graduate Conference is organised by my friend and colleague Lyndsey Harris at the University of Ulster at Jordanstown (near Belfast) on May 7th, 2005. Lyndsey has kindly offered to put me up for the night so i'll fly to Belfast straight from Bournemouth (yes sir, we love Jet2, thank-you) on my birthday, May 6th. Then on Saturday i'll give Lyndsey a hand with the conference, and will also present a paper i just started working on.

The paper is provisionally entitled "Political Communication and Crisis Governance" and examines the role of symmetrical and democratic political communication in the management of state crises and national disasters, using Greece as a case study. I recently wrote a brief article that will be appearing in the greek press shortly. What i'm basically doing is bringing together two/three bodies of literature (and areas of political practice) that ought to be linked: [normative theory, social contract and democratic legitimacy] meets [internet and symmetrical political communications] meets [crisis management, natural disasters and public administration].

It will be the first time i'm visiting Northern Ireland so i'm very excited.

conference call #1: psa



during the last few days i confirmed my attendance at two upcoming conferences. The first one is the 55th Annual Conference of the Political Studies Association (PSA) hosted by the University of Leeds, on April 4-7.

I will first wear my "Communications Officer of the PSA's Graduate Network" hat and participate in the Graduate Conference that precedes the main one. Our Annual General Meeting (AGM) will also take place on Monday, 04 April, which is where i'll present my work for the PGN Committee during this last year.

Then, as Convenor of the Greek Politics Specialist Group i will be co-ordinating four sessions and thirteen presentations on all aspects of greek government and politics.

I will be finally presenting my own paper for the Media and Politics Group. The paper is entitled “Democratic Engagement and Media Uses Amongst the Internet Generation”.

Here is the press summary i just prepared using some elements from my AoIR blurb:

They are the new voters, absentees, consumers, protesters, and decision-makers. Generally speaking, “they’ve had it better” than previous generations. And they allegedly have the attention span of a goldfish. Can we trust them with our planet’s future? The new media are an embedded part of their life. Making civic engagement an embedded part of young people’s lives can empower them and can reinvigorate the democratic process. Still many argue that young citizens are cynical about politics and reject any involvement with public affairs.

This paper is based upon a large survey (n=487, more than 100 variables) of students at Bournemouth Media School, part of a multi-stage research project on democracy, political communication and internet uses amongst the young.

Our findings reject the received wisdom. There is strong evidence to suggest that while young citizens may not have experienced traditional forms of political participation, they are keen to participate; they respect and treasure democracy and are developing a portfolio of activities, attitudes and values that should lead to reframing of the debate on civic disengagement.

Some indicative results include:

- 70.6% of the young people surveyed see democracy as highly or extremely relevant to their lives. In a separate question 70.5% answered that democracy is quite or extremely “important to them”.
- 52.5% of respondents see political participation as a civic duty (as opposed to an activity based on personal interest).
- When asked to evaluate an extensive list of current affairs and policy issues, most respondents show a wide variety of interests in public policy. Their “own career prospects” tops the list with an almost unanimous response (87.7%), while the state of public services such as the NHS (79.8%) and education standards (80.9%) surpassed all other issues (including some traditionally popular and youth-oriented ones ranging from climate change to STDs).


The conference session that i'll be presenting in is scheduled for Wednesday, April 06 at 14:00-15:30. This will be my third (consecutive) PSA conference and judging from my excellent time in Leicester (2003) and Lincoln (2004) i'm really looking forward to it. It's good to see that i finally got a primetime slot, rather than the usual graveyard one (9am on a Wednesday when everyone's still p*ssed from last night! LOL).