Monday, February 28, 2005

bumpy ride ahead

i'm entering what is probably one of the most critical months for my PhD.

in the space of three weeks i need to:
- organise and chair a research event (next Monday, watch this space for more details)
- write and deliver a double lecture on the internet and the public sphere for Media & Society
- complete the analysis of my quantitative survey data
- write up a paper for the PSA Conference at Leeds (more to come)
- collect, enter and analyse the data from the web content analysis
- finish the paper on the global public sphere
- start writing up my chapter for a forthcoming book on the media and the public sphere
- prepare and conduct qualitative research (interviews and focus groups) with students on democracy and the internet

all that while doing the standard amounts of teaching, admin work, committees & board meetings, attending events and reading. And, of course, blogging!

If i avoid the burn-out and the break-down and manage to do all of those things then i'll be happy-ish.

it's over



Best Picture: Million Dollar Baby [NO]
Best Director: Clint Eastwood, Million Dollar Baby [YES]
Original Screenplay: Eternal Sunshine of the Spotless Mind [YES]
Adapted Screenplay: Sideways [YES]
Leading Actor: Jamie Foxx, Ray [YES]
Leading Actress: Hilary Swank, Million Dollar Baby [YES]
Supporting Actor: Morgan Freeman [YES]
Supporting Actress: Cate Blanchett [YES]
Foreign Film: The Sea Inside, Spain [YES]
Animated Feature: The Incredibles [YES]
Cinematography: The Aviator [YES]
Production Design: The Aviator [YES]
Costume Design: The Aviator [YES]
Film Editing: The Aviator [NO]
Original Score: Finding Neverland [YES]
Original Song: "Al Otro Del Rio", The Motorcycle Diaries [NO]
Makeup: Lemony Snicket's A Series of Unfortunate Events [NO]
Sound: Ray [NO]
Sound Effects Editing: The Incredibles [YES]
Visual Effects: Spider-man 2 [YES]
Live Action Short Film: Wasp [NO]
Animated Short Film: Ryan [NO]
Documentary Feature: Born Into Brotherls [NO]
Documentary Short Subject: Mighty Times: The Children's March [NO]

got right: 15/20 major categories and 0/4 minor ones.

btw, i cannot believe that The Aviator lost the Best Picture and that Scorsese lost yet again!

happy moments:
Cate Blanchett, Sandy Powell, Dante Ferretti, Sideways screenplay, The Incredibles

the revenge of the geek



i'm doing an all-nighter tonight combining a heavy diary with oscar updates (remember, the BBC is not showing the Oscars and i'm not about to pay Murdoch).

so i found another way to stay in touch with what's happening at the Kodak Theatre: listening (live) to KABC, the local ABC radio station via Radio-Locator, which as we speak is transmitting live from the red carpet (they're now interviewing Hilary Swank). Kewl!



I'm also monitoring Wesley Lovell's amazing message board. Lovell is the ultimate Oscar geek, yeah even worse than myself, and Johnny and I have been following his work since the mid-1990s. It's good to see his site developing into the official ...unofficial Oscar site.

Sunday, February 27, 2005

2005 Oscar predictions [updated]



Continuing a tradition that started in 1991, here are my predictions for Sunday's 77th Annual Academy Awards. Part of this tradition is that when a category is too close to call i'm predicting the least favourite so as not to jinx my own favourites (although some of the predicted winners below are my favourites - anyway, too complicated, forget about that!).

Sunday, 27-Feb-05, 18:21GMT UPDATE! two of my friends, Johnny and Panos have just emailed me their predictions so i've added them next to mine, where available, in brackets like that [JK: xyz] [PS: abc].

Picture:
RG: The Aviator [JK: Million Dollar Baby] [PS: The Aviator]

Director:
RG: Clint Eastwood, Million Dollar Baby [JK: Ditto] [PS: Ditto]

Original Screenplay:
RG: Eternal Sunshine of the Spotless Mind [JK: Ditto] [PS: Ditto]

Adapted Screenplay:
RG: Sideways [JK: Ditto] [PS: Ditto]

Leading Actor:
RG: Jamie Foxx, Ray [JK: Ditto] [PS: Ditto]

Leading Actress:
RG: Hilary Swank, Million Dollar Baby [JK: Ditto] [PS: Annette Bening]

Supporting Actor:
RG: Morgan Freeman, Million Dollar Baby [JK: Ditto] [PS: Clive Owen]

Supporting Actress:
RG: Cate Blanchett, The Aviator [JK: Virginia Madsen] [PS: Cate Blanchett]

Art Direction:
RG: The Aviator [JK: Ditto]

Costume Design:
RG: The Aviator [JK: Ditto]

Cinematography: RG: The Aviator [JK: Ditto]

Film Editing:
RG: Million Dollar Baby [JK: The Aviator]

Make-Up:
RG: The Passion of the Christ [JK: Lemony Snicket's A Series of Unfortunate Events]

Original Score:
RG: Finding Neverland [JK: Ditto]

Original Song:
RG: "Accidentally In Love", Shrek 2 [JK: Believe]

Sound Editing:
RG: The Incredibles [JK: Ditto]

Sound Mixing:
RG: The Aviator [JK: Ditto]

Visual Effects:
RG: Spider-man 2 [JK: Harry Potter and the Prisoner of Azkaban]

Animated Feature:
RG: The Incredibles [JK: Ditto]

Animated Short Film:
RG: Lorenzo

Foreign Language Film:
RG: The Sea Inside, Spain [JK: Chorus]

Documentary Feature:
RG: Super Size Me

Documentary Short Subject:
RG: The Children of Leningradsky

Live Action Short Film:
RG: Little Terrorist

Tallies (RG):
- The Aviator [6]
- Million Dollar Baby [4]
- The Incredibles [2]
- Sideways, Eternal Sunshine of the Spotless Mind, Ray, The Passion of the Christ, Finding Neverland, Shrek 2, Spider-man 2, Lorenzo, The Sea Inside, The Children of Leningradsky, Little Terrorist, Super Size Me [1]

The 77th Annual Academy Awards will be presented on Sunday, February 27, 2005, at 17:00PT (20:00ET) live from the Kodak Theatre at Hollywood. In Britain the show will be broadcast live by Sky Movies since BBC decided it's not worth it (perhaps we should decide that it's not worth renewing our licence fee next year...).

Saturday, February 26, 2005

a glimpse of the future



last night i was in the office watching the penultimate episode from season 4 of The West Wing. Now, those that know me at all are no doubt familiar with my obsession for this programme, which is my favourite of all times (and by the way thanks to Francesca for initiating me into it back in 2000, i owe you babes!). So, am i easy to please or was last night's episode ("Commencement" transcript available here) the best-unbelievably-fucking-brilliantly-written-directed-acted-and-produced piece of television ever?

Anyhow, i digress (yeah i do that a lot). The point is that as i was watching the said masterpiece i had the transcript on my pc screen because a) this show just moves too fast and i need to check things and b) i don't always get all the accents so i want to make sure that i have the script in front of me. During the commercial breaks (btw, it's good to see that Channel 4 is picking up a few more ads for the show despite the graveyard slot) i was number-crunching for my PhD survey, reading a paper and listening to Nitro Radio (Greek Radio station) via the uber-cool Live24.gr platform.

Towards the end/climax of the episode (truly ORGASMIC) the producers used Massive Attack's masterpiece song, Angel, which i was vaguely familiar with as a tune but didn't know title/artist etc. Before the scene ended i copy/pasted the lyrics from the transcript (which, remember, was on my desktop) to Google, spotted the track and then via MSN messenger arranged to have it ...produced for me by a trusted source (anonymity protected).

So here it goes: tv, scripts, songs, stats, web radio, Google, msn messenger, file sharing, music, reading.

By the time the end credits were rolling i thought one of three things is happening:
a) i'm moving up in the world
b) i drink too much coffee / getting mad
c) true "convergence" is finally hitting home

whichever of the three it may be i don't care - i'm loving it!

Friday, February 25, 2005

forthcoming seminar: The Politics of Affect

On Tuesday, 1 March 2005, the Centre for the Study of Democracy at the University of Westminster is organising a seminar with Dr Yannis Stavrakakis entitled "The Politics of Affect: Discourse and Jouissance". Dr Stavrakakis is one of the leading researchers / writers on discourse, psychoanalysis & politics. I recently read Chantal Mouffe's The Democratic Paradox, the Greek edition of which was prepared by Dr Stavrakakis. Yannis is also married to a friend and fellow-alumnus of mine, Dora Giannaki, so i'm very excited to be getting a chance to meet him in person. There's actually quite a funny story here; when Dora and I caught up at a conference in Manchester last November (after having lost contact for a few years - and without knowing she was married) i started talking to her about Yannis saying how great he is etc. and "he must be 70 years old or something" (because of the maturity and wisdom of his writings), and then Dora goes like "actually Yannis is my husband"!!! (and as a matter of fact he's in his 30s!!). Enter me in shock.

Anyhow, watch this space for notes and comments after the seminar.

Wednesday, February 23, 2005

Top-30 Political Films

Continuing the tradition of bizarre and meaningless film charts (but enough about Channel 4!) here is my Top 30 of political films, ranging from thrillers to costume dramas with a political aspect.

Now wait: the order in which the films appear is particular to the purposes of this list and does not represent my overall rating of each film. For example, The Remains of the Day is one of my favourite films ever but appears at the bottom of the list alongside Air Force One, which I did not particularly like. Thus, the criterion for this chart is that X factor (he he).

01. All the President’s Men (1976)
02. The Contender (2000)
03. Wag the Dog (1997)
04. JFK (1991)
05. Elizabeth (1998)

06. Shadow Conspiracy (1997)
07. Nixon (1995)
08. Primary Colors (1998)
09. The American President (1995)
10. The Pelican Brief (1993)

11. Enemy of the State (1998)
12. Bowling for Columbine (2002)
13. Goodbye Lenin! (2003)
14. The Net (1995)
15. Bulworth (1998)

16. Dave (1993)
17. The Sum of All Fears (2002)
18. The Manchurian Candidate (2004)
19. Three Days of the Condor (1975)
20. Fahrenheit 9/11 (2004)

21. Traffic (2000)
22. Il Caso Mattei (1972)
23. The Remains of the Day (1993)
24. The Fourth Protocol (1987)
25. Clear and Present Danger (1994)

26. Patriot Games (1992)
27. Murder at 1600 (1997)
28. The Hunt for Red October (1990)
29. Air Force One (1997)
30. The Peacemaker (1997)


Recital: Autumn Leaves



I just returned from today's lunchtime concert where i presented my first composition entitled Autumn Leaves.

Although performance-wise my personal feeling is that this went so and so (i've played Autumn Leaves much better in previous - private - occasions), the feedback was really encouraging and it's good to get it over and done with; the piece is now finally out in the open and i feel a good sense of closure.



The event itself was very enjoyable with some awesome performances from colleagues and students. I was especially impressed by Kerry Fosten's (cello) and Sebastian Dale's (piano) performance of Rachmaninov's Vocalise; Andrea Sacchi's voice and confidence; and also by my former student Tess Steed who did really well singing Faure and Jerome Kern. My friend and colleague Carrie Hodges was amazing as always performing two very difficult songs in Spanish!!

To view a photo from the recital please click on the pic (many thanks to Waraporn).



I should add that the recital took place at Talbot House's Student Hall, which is surrounded by windows, and during the event it started snowing (a lot), which really created a magical atmosphere. Many thanks to Aidan Fairlie and Sheila Niven for organising and inviting me.

Next Wednesday i will be apparently giving "a press conference" on Autumn Leaves to our Communication & Media students, which sounds fascinating.

Top photo credit: "Changing foliage, Shelter Island, New York" © 2001 Robert McInnis

Tuesday, February 22, 2005

coming up...

i just received a piece of tentative breaking news from a trusted source.
i'm afraid i can't reveal what the story is about, or who my source is, but if true we'll know tomorrow.
if true, it will actually be quite a shock.

speaking of a global public sphere...



...here is the first campaign of the newly-founded Committee to Protect Bloggers.

The campaign got some publicity on BBC News earlier today and the day has been marked as "global blogger action day".

Monday, February 21, 2005

good for you...

on a second thought it may not be that good for you.
on a third thought it may actually cause cancer to you...
in brief, eat it and you may well die.

the biggest food scandal in Britain since mad-cow disease (BSE). i hate to say "i told you so" but i did tell you so.

is there a biggest irony than eating "Asda Good For You Chicken Hotpot" or "Tesco Healthy Living Cottage Pie" contaminated with Sudan 1?

As of today more than 450 different products have been taken off the shelves. The list of the first 350 products is available here, while today's additional list of 100 products can be found here.

the problem is that we can't turn to eating fresh fruit and vegetables because they are even worse: for starters most are Genetically Modified, and those that are not GM are anyway injected with all sorts of carcinogenic pesticides etc. Scottish salmon causes cancer and lamb meat may cause vCJD. Eggs are a no-no. Tap water has fluoride; bottled water has toxins.

on one level, i'm sadistically enjoying this: overcrowded and overpriced urban robots are paying the price for turning life into a genetically modified bureaucratic process away from nature and rural life. It's the same with climate change: keep partying and at some point the planet will just explode. Nature has a unique way to punish humanity for not learning by its mistakes.

final point: even more than eating poisonous food, i'm annoyed by the patronising packaging of that shit: "Good For You", "Healthy Living" etc, as well as by the really obscene passivity of the food industry.



"I think, Dr. Railly, you have given your alarmists a bad name. Surely there is very real and very convincing data that the planet cannot survive the excesses of the human race: proliferation of atomic devices, uncontrolled breeding habits, the rape of the environment, the pollution of land, sea, and air. In this context, isn't it obvious that "Chicken Little" represents the sane vision and that Homo Sapiens' motto, "Let's go shopping!" is the cry of the true lunatic?"

["Twelve Monkeys", written by David Peoples and Janet Peoples, script available here]

Tuesday, February 15, 2005

Research Seminar: Indymedia and the Contested Understandings of Participation Online



On Monday, 7 February 2005, i was delighted to host a CPCR Research Seminar with Dr. Jenny Pickerill (University of Leicester). Jenny is one of the few true experts in grassroots online mobilisation in the UK (a field that in my humble opinion will grow and grow). The seminar was entitled "Indymedia and the Contested Understandings of Participation Online" and was based on Jenny's recent research project.

I have now edited my notes / minutes of the event and attach them here. Please feel free to use the Comments function of the blog below to add your own opinions or questions. If you participated in the seminar and would like to make a correction to those notes please also feel free to do that at the Comments section.

N.B.: These notes are not a verbatim transcription of the seminar, rather a summary of the points made based on my own interpretation and on the Powerpoint slides.

Jenny Pickerill’s presentation:

Jenny begins her talk by inviting comments and feedback on her work as this is an ongoing project. The starting point for Jenny’s research is the question ‘does Indymedia facilitate participation?’. The broader question that lies behind that case study is ‘what exactly is participation?’. Her investigation is based upon two premises:
a) participation is good for democracy; engagement is (everyday) politics and necessary for socially just and environmentally sustainable decisions. It is the prefigurative politics of activists.
b) The internet facilitates participation (taking into account many contextual factors etc). Pickerill’s conceptualisation of online space goes beyond that of a mere source of information or even of a place to connect with others; it is “a place of experimentation in alternative forms of participation”. There is a potential in online interaction leading to participation and mobilisation. Jenny is less interested in the role of the internet in traditional mobilisation; she is more interested in understanding participation more broadly (e.g. can you be a ‘participant’ without meeting people or joining protests?). Essentially, it’s about awareness.

Pickerill’s presentation is organised around four key themes:

A] sharing by design
B] creating space for different voices?
C] Internal political organisation
D] Global audience, local agenda?

Indymedia is structured around the premise that media production and consumption should be a many-to-many process. It comprises a total of approximately 130 websites operating worldwide and includes offices, media labs, infoshops and social centres. When it started (Indymedia Australia) it was completely an open publishing project; then, it started having some editorial features. It poses a radical challenge to the newspaper structure. The groups that comprise Indymedia constantly review their work, criticise themselves and attempt to create improved forms of open publishing.

A] Sharing by design.

Indymedia is “a community project written by everyone together and the way to keep that flowing and moving forward and working as a community of equal individuals is make the code open source”.

Its main premises are:
- use of open source software
- open management
- open up the space of contribution
- open up spaces of access
- contributions should be used openly

That openness also leads to risk from potential attack from users and from the State.

B] Creating space for different voices?

One of the interesting tensions, and one of two key themes in Jenny’s presentation, is the question of what does Indymedia stand for – what exactly is it? The vision promoted by Indymedia can be a great idea, but if they don’t agree about what they’re doing it can create a lot of disharmony.

Australia does not have a variety of news channels and newspapers, thus Indymedia sought to increase the public space available. But is anyone else (outside the alternative globalisation movement) listening to it? And, is outreach Indymedia’s aim in the first place? Those questions are critical because they shape its strategy, structure and everyday activity.

Essentially Indymedia is about a new broadcast model available to everyone, yet that goes against another interpretation of it as an insular movement network (autonomous activist group space). Some people within Indymedia acknowledge strict editorial policies and limitations to what is published (e.g. excluding racists and sexists) which means that Indymedia has its own set agenda, rather than being an open public sphere.

So what exactly is Indymedia? Jenny mentions several labels that have been attached to it (such as an international news organisation, a decentralised social and digital network, an activist communications network, a bulletin board, a social phenomenon, a laboratory for social technological innovation). The problem is that it can’t be all of those things because they are quite different.

According to Pickerill, one way to understand Indymedia’s core purpose and audience is by looking at the material they use and how they use it. Indymedia makes use of the principle and logo of copyleft to ensure that all contributions could be used openly. According to one participant in Jenny’s research, “Indymedia is first hand accounts … all of which is interesting and lively and engaging but …it’s a definitional thing about what left wing journalism is, because they’re seeking to quite radically redefine it… we’ve still tried to follow professional left wing journalism … Indymedia is more anarchist or autonomous influenced”. [Jenny notes that in Australia the terms ‘autonomous’ and ‘anticapitalist’ are interpreted similarly]. Thus, on the one hand Indymedia is founded upon the principle of sharing; on the other hand, that leads to a potential acceptance of ‘multiple truths’ or competing interpretations of events.

C] Internal political organisation

Looking at Indymedia’s internal political organisation and decision-making structures can be very useful. Because of spam, there is a strict editorial policy against racism, fascism, xenophobia, homophobia, sexism etc other forms of discrimination or contributions that were “obviously incorrect” or “devoid of content”, which raises all sorts of question, not least of Indymedia being hypocritical about open publishing and a public sphere that is accessible by all (regardless of their views).

A key characteristic of that (and any) organisation is the decision-making process. Indymedia sought to use online consensus as its decision-making principle. As the networks grew consensus became much more difficult and, while other solutions such as passive and modified consensus were tried, the role of the size is instrumental in the viability of any decision-making system. Hence Indymedia has moved to a more decentralised / localised system.

Access to Indymedia has been facing technical and cultural barriers, such as its relationship to the Aboriginals (Indymedia had to prove that they were different from other media organisations). Indymedia is still considered as a western radical media because it’s still in English, which excludes many people from the “Third World” who don’t even want to learn English.

D] Global audience, local agenda?

In spite of the fact that it’s online, the material originates offline. The network seeks to assert the importance of locality, of place-based collective and their autonomy. Thus the “local” is of key importance, and a key aim of the Indymedia is to protect local voices. Despite its global spread, Indymedia has managed to nurture local cultures.

Conclusions:

In summary, Indymedia is an attempt for online participatory democracy, although there are issues of:

- structure (idea of consensus-making didn’t work)
- scale (when smaller it’s easier, in global scale it doesn’t work).

A key issue emerging from Jenny’s research is the tension between the principle of sharing and open publishing and the realities of the online world (and of Indymedia’s own agenda, which may require editorial interventions).

Overall, Jenny wants to use Indymedia to examine broader patterns of participation, moving away from the focus on political voting and exploring alternative forms of participation.

End of main presentation.

Questions from the floor.

[again these are only my notes rather a precise transcript].

Q: Do they promote their online presence in any other way – do they advertise?

JP: They use stickers, posters, t-shirts, while during protests they used to produce a paper format.

Q: Do they have a particular focus on youth?

JP: The actual collectives were very late 20s - early 30s, but when approaching activists, you’re also approaching a lot of young people.

Q: Do they have meetings about postings?

JP: They try to resolve most of it online and only get the very controversial ones into weekly / fortnightly meetings. A lot of it depends on who is the editor at the time.

Q: Where do you stand on the debate about the editorial process (against discrimination) or where is it roughly?

JP: The problem is that if they edit it they will end up like the other activist groups. If they leave it unedited you exclude others (e.g. minorities) who won’t go there. I like the idea of the collectives who make decisions; there should also be a way to pull out the good stuff.

Q: What other options do they have? Could they use rotating editorial boards?

JP: The problem is that the shelf-life of collectives can be quite short. Even with collectives there can be problems (e.g. if you are a spammer you can get your contacts to rate it high).

Q: Are the discussion boards free?

JP: It’s all anonymous and open access so you can post in whatever language.

RG: There was recently a story about a politician’s child and that developed into a very controversial case.

JP: Privacy v. right to know vis-à-vis Indymedia goes back to the age-old debate of media regulation and there are no easy answers.

RG: Could the Slashdot system work? [complex system of peer review/rating]

JP: The problem with the Slashdot rating system is that it’s not newcomer-friendly.

Q: What is Indymedia’s relationship with state authorities?

JP: Indymedia does not have good relations with state authorities. FBI have tried to sue Indymedia based on newspaper legislation. The FBI took their UK server out of service.

Q: What is Indymedia’s main source of income?

JP: It all comes from donations, which makes it a very fragile system, relies on people’s good will.

Q: Some claim that there are two superpowers in the world: the US and the global public opinion [Postscript: Lee Hadaway, who asked that question notes that the source for this was Radio 4 and the exact quote can be found online], and Indymedia is a very small part of the latter, so it may not be as independent as it claims. What are the differences between Indymedia and community media?

JP: Definitely interested in community media and plan to research that shortly. Community media is about going out to the local people and asking them what they want.

Q: You mentioned some of the ambitions to create a new commons or an alternative to the traditional/national public sphere. Are they serious about that ambition or is the ‘insular activist group’ element taking over?

JP: Have only heard the global public sphere / new commons idea in the US, not elsewhere.

Q: Maybe that’s also a matter of language (English).

JP: An interesting thing is not only how individual languages are used nationally but also how different Indymedia branches / languages communicate with each other. There is a focus on English and Spanish and an attempt to be bilingual.

Q: How many Asian communities are getting involved in it, given the slight bias in favour of individualistic cultures that Indymedia has?

JP: Not sure but definitely something to look into.

Q: Is there any information / facts and figures about the audience / users?

JP: The controversial nature of the website’s content makes audience research very difficult.

Q: You may be able to get an impression of the size through the comments/posts to existing news articles.

Q: Indymedia may be an example of groups who encourage participation within self-selected (already involved) samples of people. Are there any ambitions to break into the mainstream?

JP: Some argue that it’s not a place for discussion but one for reporting news. As for breaking into the mainstream, there are two main viewpoints (as stated before about insular v. new broadcast model).

Q: So are they trying to create a global brand?

JP: Different countries have different approaches (e.g. in Australia everyone is an “Indymedia journalist”, while in the US it’s different).

Q: Does the website get “hijacked” / dominated by protest groups (which would turn people off)?

JP: In the UK it has remained functional, because those groups don’t know about it and it’s still working. Again, something to look at.

Q: In defence of open software, we get spamming with Microsoft anyway.

JP: Absolutely, the open software ideas are working really well for Indymedia.

RG: Is the blurring of boundaries between truth/fiction, the collapse of the dominant narrative and the shift towards a more postmodernist framework a positive change?

JP: The actual shift towards the collapse of the dominant narrative is positive as long as it doesn’t lead to a situation where nothing makes any difference whatsoever.

RG: How can we manage that?

JP: Well the editorial process may be a way although it leads to all the problems mentioned above (discrimination against the discrimination).

Q: Do they link to other similar sites? How do they get visitors to the website?

JP: They do – a lot depends on the local thing (stickers etc). The whole thing of getting people involved is very gradual. But even if you access the site the whole process of actually contributing and being actively involved takes a lot of time.

Q: If participation were really representative it could leave to unexpected results.

JP: You are right. Participatory democracy can be just rhetoric but if everybody were to participate core activists would be outvoted. Indymedia may not be great for debate (if you write something against anti-glob protesters you may be rejected). But the debate is not the only element, there are other things that they have achieved (activists keep going, getting their news on a daily basis).

End of the event.

Roman’s final point:
If we were to summarise the tensions and key issues emerging from Jenny’s presentation about Indymedia, these would be:

- Tension in aims, activism v. outreach, that require different energies
- Editorial process (censoring discriminatory voices)
- Organisation and hierarchies (balancing consensus with global scale)



Creative Commons Attribution-NonCommercial-NoDerivs License

Monday, February 14, 2005

abstract for AoIR 6.0

i just submitted my abstract for the 6th Annual Conference of the Association of Internet Researchers (AoIR) taking place in Chicago, 5 - 9 October 2005. Last year's conference (hosted by the University of Sussex in Brighton) was a great experience and i'm so looking forward to going back.

Paper title:
"Democracy Reloaded: Generation Y and Online Civic Engagement"

100-word blurb: They are the new voters, absentees, consumers, protesters, and decision-makers. Generally speaking, “they’ve had it better” than previous generations. And they allegedly have the attention span of a goldfish. Can we trust them with our planet’s future? Generation Y; the internet is an embedded part of their everyday life - we want to make democracy an embedded part of their everyday life. What is the role of the internet in broadening the understanding and the practice of citizenship? This presentation attempts to offer some answers to these questions based on a multi-stage research project carried out in 2004/05 in England.

Abstract:
“Generation Y-ers” (people born after 1980) are the first generation having grown up with the internet, not merely using it but also shaping it through their choices and online behaviours. Moreover, given the ongoing discussion about civic disengagement and apathy – especially evident amongst the younger generations - they are under the microscope of political scientists around the world who are trying to interpret young people’s preferences and actions so us to predict the future course of democracy.

The 21st century public sphere is characterised by the rising importance of consumerism, the dominant discourse of ‘choice’, ‘users’ and the ‘pull’ factor. This paper asks whether the cultural shift to individualism, and the empowerment of the citizen/consumer facilitated by the new ICTs, lead to a more segmented and apolitical public sphere; whether they create a more politically engaged and informed public; and/or whether they are subtly changing the forms and expressions of civic engagement and participation.

The realisation that voting on its own is not an adequate means (and measurement) of civic participation has led many scholars to argue for a more embedded presence of democracy into our lives and for a broader conceptualisation of civic engagement that includes various stages from awareness to deliberation to mobilisation. Recent events (Anti-Globalisation protests, 9/11, 2nd Gulf War, US Election, tsunami) demonstrate the existence of a global public sphere that exists parallel to the national public spheres and is shaped by cybercultures, rather than national civic cultures. In other words, there is evidence to suggest that people still very much care about public affairs and seek collective experiences; but those trends are expressed outside of the established, and often mainstream, political processes.

Still, democracy and cyberspace have inherently and diametrically opposed features: democracy is about a finite space and a set of rules, while cyberspace is about the lack of space and the lack (or non-enforceability) of rules or control. Investing all our efforts on an ill-thought utopian vision of E-Democracy or uncritically accepting sleek trends (such as e-voting) means that new forms of social exclusion, inequality and control may be bred (e.g. digital divide). Thus it is essential to manage the tensions between the democracy that we (ideally) want and the public sphere that we (de facto) have.

The starting point for this paper is that due to the (‘pull’) nature of the internet, and the rise of choice in all aspects of our life, the development of new means of political communication and democratic processes needs to be based upon a deep understanding of citizens’ preferences and online behaviour, i.e. the civic uses of, and gratifications from, the internet. So, for example, in order to build an effective e-democracy or local community website that appeals to young people we first need to understand what actually appeals to them in terms of website content, structure and appearance. And the most reliable way to do that is by actually talking to them and asking them to review a variety of sites, e-democracy spaces and online public spheres (from the mainstream to the alternative and from the local to the global). This practice (which has its roots in audience/reception research and U&G) is well-established in advertising and marketing communications, and in politics has only been used for the purposes of electoral/political marketing.

The paper is based upon a multi-stage research project including the preliminary content analysis of several websites of political content and a series of focus group and individual interviews with Generation Y-ers about their civic attitudes and internet uses, including a review of the sites previously mentioned in their own words. The term “Generation Y” is not accepted uncritically either – the paper is an opportunity to test the validity of the term and engage into the discussion of its merits and weaknesses (including a tendency to aggregate individuals into constructed homogenised target groups that reinforces stereotypes, overlooks social, economic and cultural particularities and increases pressure on ‘outsiders’).

As the internet becomes an indispensable and embedded part of our lives facilitating new forms of awareness, expression and mobilisation, the boundaries between online and offline are getting even more blurred. Young users are at the forefront of this development and they are also a group of citizens whose democratic engagement is critical for the future of democracy. Reforming the civic process can only succeed in the long term by listening to them.


Creative Commons Attribution-NonCommercial-NoDerivs License

Pew Report: Internet evolution



As free browsers are blowing out the candles of their 10th anniversary cake (Netscape Mosaic was made available in October 1994), and confirming most projections about the diffusion of the net and its increasingly embedded role in our everyday life, the Pew Internet & American Life Project has just released this report entitled "A decade of adoption: How the internet has woven itself into American life". The report is written by Lee Rainie and John Horrigan, and the full text is available here (please note, Acrobat Reader required).

This is an excellent and succinct report, summarising in a few pages some really important and wide-ranging findings. It is also a very important report for my own research, especially my PhD, because in many ways it confirms my past analyses and my current/future directions. On the one hand i'm relieved because Pew's hard data concurs 110% with the analysis i presented at the conference of the Association of Internet Researchers in September. On the other hand, it's kinda scary too because my paper and the report are almost identical in substance so it may be more difficult to "sell" my paper to academic journals.

The main points of both the Pew report and my earlier paper are:
- the online world is maturing as more and more people get wired. That is to say, cyberculture is moving from the utopian and egalitarian visions of the innovators and early adopters to the more commercial, conflictual and instrumental use by the late adopters and the mass public.
- while many people online merely repeat their offline activities, there is a significant and consistent portfolio of new activities that were not available before and/or have been facilitated by the net (e.g. blogging, P2P, rating products etc) essentially empowering citizens and consumers, and confirming Bimber's 1998 prediction about accelerated pluralism.
- the abundance of health information and advice online has led to a paradigm shift in public services: people now demand choice.
- the internet is becoming so embedded to young people's lives that many cannot fathom what life was like before the internet. If the keywords in 1990s internet research were 'utopia', 'dystopia', 'top down innovation' and 'online v. offline', the 2000s is all about bottom up creativity and embeddedness in everyday life: for most people the boundaries between online and offline are becoming blurred.
- there is an emerging global public sphere that is different to the national ones and exists in parallel to them. Watch this space for more on that one.

okay i know it's humiliating...



...but i did promise to post a photo from our Christmas party, a.k.a. "the party of the year".

So here it is... click on the thumb for the full size (don't say i didn't warn you though!). Not sure why it is so ghastly but anyway, whatever.



Thanks to Eirini for that (not really!).

Friday, February 11, 2005

First Performance: Autumn Leaves



Not sure why i'm doing this to myself, but anyway here it goes.

On Wednesday, 23 February, i will be participating in Bournemouth University Music Society's lunchtime recital, presenting my first composition for solo piano entitled "Autumn Leaves".

I originally started writing that piece in 1995 - it all started as variations on E Minor scale. As the years went by i kept adding layers onto the piece, until it got a solid form (in 1999 approximately). That's when i also experimented with a few orchestral arrangements (thank God - and Dimis Koufomichail - for Cubase). I actually think that Autumn Leaves could make an interesting orchestral work (with strings, winds and drums/percussion) but i don't currently have the time (or the means) to pursue that. Since i moved to Britain in 2000 i've only be doing very minor additions or revisions and in December 2004 i decided that that was it, i had to wrap it up and move on.

Autumn Leaves is a sequence of initially non-descript fairly peaceful variations on a theme which, as the piece unfolds, becomes clearer and clearer until it blasts to a dramatic and cathartic (? not sure) end. The title is quite recent and refers to the layers of notes and E Minor chords that make up the piece; it also refers to its melancholic melody and a 'naturalistic' impression of autumn rain and wind. Also, given the pun (Autumn leaves could be interpretted as in "autumn ends, winter arrives") the title also refers to the grave (!) ending, which could signify the beginning of winter. Finally, as i was wrapping it up i realised that i mostly ever worked on this track (as in developing it) during the autumns.

My future plans are:
a) to produce a compilation of all the different arrangements and variations (including out-takes) of Autumn Leaves that will be available online
b) to actually write the score of Autumn Leaves with pen and paper (which is much more difficult and time-consuming than it sounds, given also my ghastly hand-writting) and
c) to move on to my second "opus", provisionally entitled 'The Christmas Tree Lights'.

Acknowledgments:
I'm indebted to Dimitris Koufomichail for providing all the cool gadgets for the digital arrangements, and Manos Kousourlis for the electric guitar. Thanks to my friend Dan (Jackson) for his Powerpoint presentation in Manchester that sparked the title! Thanks are also due to Philip Glass and Richard Robbins for the inspiration.
Special thanks to my two piano teachers, Kimon Maragoudakis and the late (and great) Eva Anastasiadou, and my music history teacher Irene Epitropou-Handjieva. Apart from everything else, all three of them were fantastic teachers and great role models and i was really lucky to be associated with them.
Finally, very special thanks to my family and friends for always being so supportive. Autumn Leaves is dedicated to them.

The lunchtime recital takes place on Wednesday, 23 February 2005, at 13:00, at Talbot House's Student Hall, Talbot Campus, Bournemouth University. For more information about the event please contact the University's Music and Performing Arts Office based in Room T103a (01202 595018), e-mail: afairlie@bournemouth.ac.uk and sniven@bournemouth.ac.uk

Photo credit: "Changing foliage, Shelter Island, New York" © 2001 Robert McInnis

the principle of the minimum possible effort (MPE)…

I don’t mind failure. I’ve often experienced failure myself and I’m quite proud of those experiences because they have made me work harder and, ultimately, appreciate success; failure is part of living and, anyway, failing means that “hey, at least I tried”. What I really have no respect for is what I call the principle of the minimum possible effort (MPE), i.e. some people’s determination to do the absolute minimum required for them to complete a task, get through a degree, or stay on a job (especially if that minimum is absolute zero). I’m always amazed to see MPE “practitioners” occupying senior positions – how on earth did they get there? But then you notice that it’s not just them – the whole lot is like that! MPE is particularly sad when it is the dominant and embedded work/study culture; fighting that is like fighting the forces of nature.

You may notice that MPE fans are usually the ones who are very cynical about top jobs / universities / achievers. That’s because (a) they haven’t got what it takes or they’re just too bored to try; and (b) because of (a) they’ve never experienced what it is to be passionate about what you do, to work 24/7 day in day out until you are happy with the result, i.e. to be a hacker, not in the distorted meaning that has been imposed by journalists (i.e. that of a cracker) but in the original sense as explained by Pekka Himanen, Linus Torvalds, Manuel Castells in “The Hacker Ethic and the Spirit of the Information Age”. I find lack of motivation more depressing than wrong-doing; the latter i can at least explain if the person doing the deed has been a victim themselves. But the former is to me unexplainable.

Some MPE people have implicitly or explicitly accused me of “doing too many things”, “having too broad an agenda”, “spreading out too much”, “not being focused enough” etc etc. Be that as it may, i’m quite happy with experiencing as many aspects of life as possible, of getting to know as many people as possible, of doing as much as possible. Knowledge to me is oxygen. Most people in my age:
- know how to do a few things really well;
- probably make the double / treble / zillion-eble amount of money that i make;
- and also may well be on a “permanent” relationship, in middle-class heterosexual bliss.

Fair enough. Good for them. Honestly, i’m happy for them, i really am. As long as they leave the challenging (and interesting) stuff to me, but more importantly as long as they don’t stand in my way. Under normal circumstances I can shut myself away from MPE people; but when they are blocking your way it can get really frustrating. Sorry guys, I’m afraid ‘easy’ doesn’t do it for me.

So, tonight, i want to dedicate this song to the MPE fans, the ‘easy riders’.

I want the good life
But I don’t want an easy ride
What I want is to work for it
Feel the blood and sweat on my fingertips
That’s what I want for me
I want to know everything
Maybe someday I will
What I want is to find my place
Breathe the air and feel the sun on my children’s face
That’s what I want

Chorus:
I go round and round
just like a circle
I can see a clearer picture
When I touch the ground
I come full circle
To my place and I am home
I am home

I want to let go of all disappointment
that’s waiting for me
What I want is to live forever
Not defined by time and space
It’s a lonely place
That’s what I want
(chorus, repeat and fade)

['Easy Ride' written by Madonna and Monte Pittman, from the album ‘American Life’]

p.s. and, to preempt nasty comments, this is not a Feb-14 rant!!

Wednesday, February 09, 2005

Review: The Da Vinci Code



I finally got to read Dan Brown's world-wide best seller, The Da Vinci Code.

To cut to the chase, this is one of the most addictive, intriguing and simply unputdownable books i've ever read.



NB: If you haven't read the book yet (you must have been in a coma or something, but anyway) you may want to skip this review.

For the record, i started reading the book on Saturday evening and by the dawn on Sunday i was already on page 300. Not many books have forced me to stay awake like that.

The Da Vinci Code engages the reader in a unique way in trying to break codes and find clues along with the two heroes. What makes this different from other blockbusters and thrillers is that Brown gives us clues and explanations drip by drip throughout the novel rather than building up and explaining at the end. Also, this book weaves facts together with fiction and urban legends offering alternative interpretations of works of art or religious myths that we're all familiar with.



As i was reading the book i started downloading Da Vinci's main works from the internet and digging out my Paris maps and photos from my visit back in 2001.



The endless manhunt around Paris and London reminded me of Scotland Yard, my favourite board game, while the shifting of the action from one location to the next reminded me of (good) video games as well as Bond films.



But, for me, what made this different from other commercial good reads (e.g. John Grisham) is Dan Brown's own voice - it is really obvious that Robert Langdon is Brown's alter ego in his enthusiasm about symbolisms, legends and myths, works of art, religious sects and secret societies, and more importantly, about his determination to open up the debate about history and the role of religion in our life. You very rarely find entire passages of such a clear vision in books of the same genre - this is more than just a conspiracy thriller; it's a manifesto about our relationship to history, art, language and religion; and it manages to be just that without being cheaply provocative or judgmental.

Apart from the amazing writing and narrative that flows like water (including the geeky interpretations of things like the phi number, which made me gasp), it is that willingness to bridge the gap between high art / philosophy and popular culture that makes this a great book.

In short, Dan Brown finds the child in us and manipulates our thirst for knowledge and action to the extreme - and we love it!
Indiana Jones meets James Bond meets Leonardo Da Vinci.



Sunday, February 06, 2005

catharsis



i'm reading Dan Brown's The Da Vinci Code - and i'm probably the last person on earth to be doing so by now.

my full review will follow in a couple of days (i only started the book yesterday but hope to finish it by tonight because it's just too good).

the reason i'm writing this is that, on the weekend that i'm reading the ultimate religious-conspiracy novel, a massive double scandal affecting both the judiciary and the Church has broken in Greece (the wave of disclosures has been branded by the greek media as the "tsunami of the Greek Orthodox Church") [a limited BBC Online item is available here; for greek language speakers the most comprehensive and updated coverage is available here]. To cut a (very) long story short, apparently top Orthodox clerics have been involved in unimaginable scandals of all sorts (involving money / corruption, blackmails, regular interventions in the judiciary, gay sex, power games etc).

I have to say i do feel sorry both for the thousands of decent priests and judges who continue to serve the country in silence and in dignity, and for the people (especially of a poorer and more religious background) for whom the Church is a fundamental framework of support and care. Although my personal views of the Greek Orthodox Church - and of leading individuals within it - are irrelevant, it would be unfair to deny the contribution of the Church in many aspects of our history and everyday life (from the 1821 Independence to contemporary relief efforts).

i still consider myself as a religious (Christian) person, not in the sense of a rigid belief in the letter of the Bible or of obedience to any Church; rather, in the sense of trying to live by the key Christian principles of loving and respecting others.

Still, i cannot wipe a massive grin out of my face. The very people who have been spreading what essentially is a message of hatred and intolerance, the people who, for example have been preaching for many years that being gay is abnormal / sick, are suddenly shown to be corrupted "to the bone", bribing or blackmailing top justices, having orgies with men, getting drug dealers out of prison etc. This is hypocrisy of the maximum extent being uncovered, which can only be a good thing. I have nothing against those individuals, despite their hatred and the abuse of people's trust.

The various analysts and pollsters have already started the "trust rates" game (which i've commented upon elsewhere, see point G of this article): public trust in the Church is collapsing, public trust in the judiciary is collapsing, blah-di-blah... So what?! Is a good trust rating an end in itself? When a social survey showed that public trust of Archbishop Christodoulos was something like 90% (i.e. for the last few years), was that a good thing? And is the decline of the trust RATE the problem, rather than the REASONS for the decline of that rate (i.e. the corruption and absurd power that the Church enjoys in the birthplace of Democracy and of Reason)???

As far as I'm concerned, bring it on! Bring on the scandals, the phone tapes and the scum; bring on The Da Vinci Code and The Last Temptation of Christ; stop the hypocrisy, the abuse, the crusades and the bloodshed in the name of religion and of the Christ; separate religion from the state; lay the cards on the table and let the people make their own decisions.

Amidst the chaos of religious terrorism (state and otherwise), i see truth emerging and that can only be a good thing.

Back to Dan Brown now...

Review: Million Dollar Baby



On Thursday I watched Clint Eastwood's latest film, Million Dollar Baby, which has been nominated for several Academy Awards and is tipped to get the Best Director Oscar.

After Eastwood's previous film - Mystic River, which I loved - i was quite looking forward to this, but unfortunately thought that Million Dollar Baby was more like a million dollar let-down.

+ The performances are not bad; Hilary Swank does give a powerful performance, although I doubt it's as good as the hype (and the forthcoming Oscar) suggests. Eastwood's own performance, I thought, was more profound and original.
+ Eastwood's music is interesting, as is the cinematography.
+ The film tries to approach a (currently sensitive in the morally-upset United States) topic, i.e. euthanasia, giving a resolution that may raise a few eyebrows...

- ...however, the film is a regurgitation of age-old cliches, both (mostly) in terms of narrative/story and of filming. I have nothing against Eastwood (apart from the fact that he stole the Oscar from James Ivory's Howards End in 1992); his Mystic River work was awesome. I'm afraid Million Dollar Baby is an unnecessarily slow, heavy, depressing, unoriginal film that sinks under its own self-importance.
- I guess my absolute and total loathing of boxing doesn't really help...

Overall, this is a watchable film partially saved by the performances; if i did identify with, or cared for, the characters at any point that was not because of the screenplay / direction but because of the chemistry between the two leading actors.



On another note, now that i've watched all major Oscar contenders, i must say i'm amazed by the mediocrity and dullness of most ones (such as Million Dollar Baby, Ray, Closer - Finding Neverland was ok but not really for 7 nominations).
And if Scorsese doesn't win the Best Director Oscar with The Aviator that means that (a) he'll never get an Oscar, (b) he's done something to the Academy that we don't know of... (not sure if The Da Vinci Code is getting into me but The Last Temptation of Christ seems like a good explanation.

Thursday, February 03, 2005

Review: Sideways



I just watched Alexander Payne's latest film, Sideways, which has been nominated for 5 Academy Awards (including Best Picture and Director) as well as being one of the critics' favourite film this year.

I'm glad to report that this is a very enjoyable and touching film that, through a witty script and great performances, avoids cheesy clichés and tear-jerking melodramas. A refreshing independent movie that will definitely make you think about your own life.

+ Alexander Payne's direction and Payne and Taylor's screenplay make this such an enjoyable film, so that despite its seemingly heavy content it stays modest and fresh throughout.
+ Paul Giamatti gives, without a doubt, one of the best male performances of the year, if not of the last few years. I cannot believe that he was not nominated for the Best Leading Actor Oscar. For some reason, critics and Academy have been going on about Thomas Haden Church's contribution, which, while funny and subtle, is nothing special in comparison to Giamatti's performance, which ultimately defines this film.
+ Virginia Madsen is excellent, as is the - probably under-used - Sandra Oh.
+ The geeky analysis of wine-making.

- I thought there were a couple of noticeable gaps or rough spots in the plot/narrative (such as abandoning Miles' mother on her birthday without any further explanation, and also leaving Stephanie / Maya again without any real catharsis vis-à-vis Jack).
- [I'm still thinking about this point, so I'm only writing this here provisionally - I'm not even sure about it myself]: While Miles is a very interesting person, and obviously the point of the whole film is to go beyond the shallow criteria of attractiveness and appearance, the Miles/Maya thing does look a bit unlikely. Not most (in fact hardly any!) overweight, depressed and basically (physically) ugly people get laid with super-good-looking wine connoisseurs, regardless of their inner qualities. In other words the film may be - unconsciously - glamorising a very real and common situation, ultimately raising (the wrong) kind of expectations.

Still this is a multi-layered, original film worth watching; or rather experiencing, like that Pinot wine.



Tuesday, February 01, 2005

Review: Any Human Heart



I just finished reading William Boyd's 2003 novel (or more accurately, a fictitious autobiography-journals of Logan Mountstuart), Any Human Heart.

One of Boyd's earlier novels, Brazzavile Beach, was given to me by a close friend in 2001; it was the book that drew me back to regular reading.

Apart from the obvious / superficial elements that make this an engaging and moving read, Any Human Heart is a masterpiece that unfolds slowly and steadily both in terms of substance and of form/structure. Using an unreliable narrator (the hero) Boyd browses (and breezes) through the 20th century. Essentially it's the ultimate anti-epic: through one man's (mediocre) life the reader sees humanity, including oneself.

It really does take time to appreciate and digest this book (not least because it's 500 pages long!) and it's worth investing some longish reading sessions. Ultimately, Boyd becomes Mountstuart disarming us of accusations of tediousness etc as in: this is a real person's diaries, not a work of art, it's meant to be egocentrical, often annoying, often cheesy but ultimately illuminating (as talking with real people can be). And thus it becomes a work of art through its mere ordinariness (which obviously is completely artificial; Boyd has put an extraoardinary amount of effort into this book so that it looks naturally ordinary). While auto/biographies of celebrities and heroic accounts may inspire you to set high goals, become or do something, this book inspires you to simply be a better human being (and possibly less egocentrical, which is probably not the most applicable thing in this blog!).

If all that doesn't make sense then have a go at reading this book. It's worth it.



Click here to read Penguin's interview with Boyd on Any Human Heart.