Monday, January 31, 2005

on old and new mistakes...

if i have one principle in my life, it is to try and avoid repeating the same mistakes over and over again. i don't mind making mistakes (who doesn't make mistakes!) as long as they're new ones; but i mind making the same mistakes. that's also something i dislike in others; it stems from two things:
a) my ultimate belief that our purpose in life is to keep learning. thus, repeating (the same) mistakes means that we don't learn from them.
b) my observation of people around me (esp. people i care about) who compulsively keep making the same mistakes over and over again, being tortured by an unending vicious circle.

based on that principle, and after having had my car broken into in September and the stereo stolen, i vowed i would never leave my car's brand-new cd player mask (bought a month ago see previous post) inside the car.

well, that nice and tidy principle was violated last night when, for the first time and for 15' exactly, i left the cd player in the (locked) car (in a very peaceful area of Winton) only to return and find the lock broken and the stereo gone.

i'm still trying to rationalise it - i mean i can think of 100 bad things that could have happened to me directly or indirectly (and there are probably 1 million other things i can't think of). also i'm aware it's fully my fault for breaking that principle.

but i'm not really sure if i want to live in an area / society / country where you can't leave your car for 5 minutes and where you have to watch over your shoulder every 5 minutes...

fuck the stereo, which i loved. i hope the thieves enjoy it. fuck the £150, which it took me months to save for. i'm just sick and tired of this environment.

Saturday, January 29, 2005

california here we come (again)



So here it comes again. One of my biggest addictions of last year returns on Channel 4. I so like that programme.

First of all it reminds me of Beverly Hills 90210 and my teenage years. But then it's darker than Beverly Hills. It's much more an "underdog" story and the conflicts are more mature. The story moves much faster than anything else i've seen recently (with the exception of The West Wing). The script and performances are witty and just send a good vibe, as if this were a labour of love (it may be - especially if the spin by the studio, the website and the fan club is accurate); it's as if the people making this show are having a great time, which is contentious.

As for the 'glamourisation' allegation, which I'm sure must have been directed against it, i see nothing wrong with role models, in fact i believe a lot of the problems we're facing today are due to our sweeping rejection of role models. Not to mention that all the characters and relationships are imperfect.

Finally, on whether it's materialistic, i think the purpose of the story is exactly to criticise the ignorant and arrogant materialistic attitudes of the local upper classes. The script often projects a positive vibe of altruism and community.

On the negative side, i'm a bit weary that the programme is distributed by Fox. Also there aren't any gay or black roles, which is a bit worrying, although there was the "Luke's father" incident in the first circle, which did touch upon a sensitive and real issue in a mature way. Finally, Chris Carmack is out so that's that.

But, to return to the "escapism" point, hey, we all need a bit of that, innit...

that's it. i'm hooked.



it's fascinating. priceless. awesome. i was just last week talking about reality TV with my students and we were discussing if it can be educational or whether it's just escapist crap. I managed to live in Britain without watching one minute of "The X-Factor", "I'm a Celebrity Get Me Out of Here" or "Celebrity Big Brother". I mean come on! someone should give me an award for that. I almost felt socially excluded and found it difficult to participate in practically every conversation taking place while those shows were on.

Yet, this morning I found myself glued to Average Joe for the second time (after having watched the first episode). The arrogance and plain ignorance of the "jocks" who have the IQ of a mosquito; the panic of the "geeks" who each of them thought that they had Larissa in the bag; the inter- and intra- group dynamics... Just amazing.


Thursday, January 27, 2005

77th Annual Academy Awards - the Nominations



The nominations for this year's Oscars were announced on Tuesday morning (LA time). Perhaps the surprise was ...the lack of surprises. I don't mean to blow my own trumpet but "as i predicted" here (17/01) and even more impressively here (13/12), The Aviator, Finding Neverland, Million Dollar Baby, Sideways, Vera Drake and Closer dominated the nominations in the so-called main categories with The Phantom of the Opera picking up noms in the technical categories. I have to admit i did not expect Ray to feature in the Picture/Director categories, especially after having seen it. But perhaps the biggest surprises came at the Leading Actor category with the absence of Paul Giammatti (Sideways) and Javier Bardem (The Sea Inside).

Congratulations to Johnny are in order for getting the entire Picture, Leading and Supporting Actress categories absolutely right (man, you're really amazing, i salute you in awe!) and for getting right things like Don Cheadle (Hotel Rwanda) and four out of five Supporting Actors. I just noticed Alan Alda got nominated for The Aviator, which is fantastic (i mentioned him in my review like 15' ago but had no idea that he actually did get nominated).

I was pleased that House of Flying Daggers was nominated for its (brilliant) cinematography, but disappointed that the costumes of Troy were also on the list; i promise you, i could have done a much better job than that mixture of Bollywood and Gay Pride.

Anyhow, in terms of tallies i.e. total number of nominations by film [in brackets whether i've watched the film]:

The Aviator: 11 [yes]
Million Dollar Baby: 7 [yes]
Finding Neverland: 7 [yes]
Ray: 6 [yes]
Sideways: 5 [yes]
The Incredibles: 4 [yes]
Lemony Snicket's A Series of Unfortunate Events: 4 [yes]
Vera Drake: 3 [yes]
Hotel Rwanda: 3 [yes]
The Passion of the Christ: 3 [yes]
The Phantom of the Opera: 3 [yes]
The Polar Express: 3 [yes]
Spider-Man 2: 3 [yes]
Closer: 2 [yes]
Collateral: 2 [yes]
Eternal Sunshine of the Spotless Mind: 2
Harry Potter and the Prisoner of Azkaban: 2
The Motorcycle Diaries: 2 [yes]
The Sea Inside: 2
Shrek 2: 2
A Very Long Engagement: 2
The Chorus: 2 [yes]
Before Sunset: 1
Being Julia: 1
Downfall: 1
House of Flying Daggers: 1 [yes]
I, Robot: 1 [yes]
Kinsey: 1
Maria Full of Grace: 1
Shark Tales: 1
Troy: 1 [yes]
The Village: 1
Yesterday: 1
As it is in Heaven: 1

Thus i've seen 73 out of 92 nominations; 19 to go!

The full list of nominees is available here and the printable ballot is available here. My official and final predictions for all 24 categories will be announced exactly one week before the Oscars, as has been the case since 1991.

The 77th Annual Academy Awards will be presented on Sunday, February 27, 2005, at 17:00PT (20:00ET) live from the Kodak Theatre at Hollywood; they will be hosted by Chris Rock (oh dear... brace yourselves).

Review: The Aviator



I just watched Martin Scorsese's The Aviator on the life of Howard Hughes. It's actually the third biographical film i'm watching in a row this week (see previous reviews of The Motorcycle Diaries and Ray).

This is basically one of the biggest epics every made, a truly great achievement on many levels and a very enjoyable film.

+ Leonardo DiCaprio is Howard Hughes. I never expected that I would be saying this but he's finally showing serious signs of maturity (the first signs came at Catch Me If You Can). He now deserves full credit for a brilliant performance.
+ Cate Blanchett (one of my favourite actresses anyway) demonstrates once again an amazing ability to physically transform and 'become' her role as if by osmosis - an ability that only very few other actresses (currently Meryl Streep and Nicole Kidman) have.
+ The entire supporting cast rocks, classic performances from everyone (esp. Alan Alda and Kate Beckinsale). Thankfully, Jude Law (who i think is going through a bad patch in acting terms) and John C. Reilly (who always plays himself) appear very briefly.
+ Martin Scorsese's vision and direction is obviously awesome, as is the contribution of his team. The crash-landing scene will, no doubt, go down in cinematic history.
+ Last but definitely not least this is one of the most impressive productions I've ever seen, possibly the most impressive in many years. Robert Richardson (whom I've loved since JFK); Dante Ferretti, who really is one of the most important production designers in the history of film (and has repeatedly worked with Scorsese and Fellini) and whom I've loved since The Adventures of Baron Munchausen (c'me on give the man an Oscar!!); and the one and only, the Goddess, Sandy Powell, who, along with Alexandra Byrne, are my favourite costume designers ever (Sandy Powell's work in The Wings of the Dove and Far From Heaven is i think the best costume design ever made for film along with Byrne's work in Elizabeth and this year in the Phantom of the Opera) - this will be a very interesting battle between the two ladies (a Déjà Vu of 1999 perhaps? when Powell's costumes won for Shakespeare in Love over Byrne's costumes for Elizabeth); it is those three (Richardson, Ferretti, Powell) that steal the show.

- Why do all Martin Scorsese films have to be overlong? I mean has he ever heard of something called "the cutting room"? Like, hello? He (or his editor) could have easily cut 20' from the last hour of the film (ok, we understood that Hughes suffered from OCD - Obsessive-Compulsive Disorder - we don't need to get it ourselves until the film is over, do we!).

Still, this is Hollywood at its best. A most enjoyable film that has a lot to say about vision, passion, perfection and work-life balance (!). It's funny; Martin Scorsese may well go away with the Best Director Oscar for the first time (Jesus, i've grown up with everybody ranting about Scorsese not having an Oscar) for a film that is so different to his other films (apart from the length!). Overall, miss it at your peril.

Wednesday, January 26, 2005

Research Seminar: Journalism and Public Relations - the Decline of the Public Sphere?



On Monday, 24 January 2005, I was delighted to host a special research seminar on behalf of the Centre for Public Communication Research (CPCR) at the University of Bournemouth.

The seminar, entitled "Journalism and Public Relations: the Decline of the Public Sphere?", included a talk by Lee Salter (UWE) and a response by discussants Dr. Kevin Moloney and Phil MacGregor (BMS). The event was well attended (in fact it was probably too well attended, the result being that i had to turn people away, while others sat on the floor / tables / steps / everywhere).

I have now edited my notes / minutes of the event and attach them here. Please feel free to use the Comments function of the blog below to add your own opinions or questions. If you participated in the seminar and would like to make a correction to those notes please also feel free to do that at the Comments section.

13:08 SEMINAR STARTS.
N.B. Lee Salter's talk is based upon his recently published paper entitled "The Communicative Structures of Journalism and Public Relations", Journalism: Theory, Practice, Criticism, Vol. 6, No. 1, pp. 90 - 106. For staff and students of Bournemouth University the paper is available on Media2 in the BACOM / Media and Society / Learning Resources folder.

Lee Salter's presentation:

The starting point for Lee's contribution was Julia Hobsbawm's article in The Guardian (November 17, 2003 - online version requires registration) in which she argued that journalism and PR should work together. Salter argues that this argument is problematic and that the two professions have inherently different orientations. Salter bases his analysis on Jürgen Habermas' distinction between two types of communication: strategic communication and communicative reasoning oriented towards mutual understanding of the participants. Salter argues that journalism can be oriented towards mutual understanding, while PR cannot; by its nature it is oriented towards strategic communication.



Important evidence towards that direction is, according to Lee, the self-understanding of professionals in relation to their codes of conduct. An obvious exception to the ability of journalism to promote constructive dialogue is the political-economic pressures that are put upon journalists and are present in everyday newsroom culture. Still, while PR codes mention the protection of public interest, the main aim of PR is to serve the private interest. And if the two conflict (i.e. public v. private interest) then the latter will always prevail in PR practice, which can ultimately damage the former.

Salter attempts to bring together elements of Habermas' theory that can be useful for journalism. The premise/basis of Habermas' theory is that good reasons are dialogically generated, i.e. they are not the product of individuals reasoning on their own. His theory goes against teleological accounts (with a clear view of telos, i.e. the ends) or liberal accounts (private self-interest) of politics. Those models have a closed or individualistic idea of what politics is.

Furthermore, Habermas argues that language is a social thing. The legitimacy of political decisions depends on them reflecting a public (or as Rousseau would put it: general) will. Thus, the issue for Habermas is not what is general will, but how that will is formed: ethical decision-making, i.e. a de-ontological approach (focusing on the process). Moreover, the public sphere is not just what people do in public; the form of communication is important.

Finally, Habermas mentions several requirements for the creation of an 'ideal speech situation', which leads to egalitarian communication. Salter also cites Steven White's account of the conditions leading to communicative freedom on matters of mutual importance (public affairs). That freedom being defined not only in the 'negative' sense (free from restraints), but also in the sense of citizens having mutual responsibilities, thus leading to intersubjective mutual understanding. Hence, in what Salter calls the "communicative public sphere" mutual understanding is released and the power of the better argument wins the day. Values such as sincerity, normative rightness and truth are questioned.

Lee then explains the differences between illocutionary and perlocutionary acts.
[Roman notes: According to a definition "a perlocutionary act is a speech act that produces an effect, intended or not, achieved in an addressee by a speaker's utterance" e.g. persuading, convincing, scaring, insulting etc. Whereas, the definition of an illocutionary act is "a complete speech act …that consists of the delivery of the propositional content of the utterance …and a particular illocutionary force" such as the speaker's suggestion, promise or vow. In other words, Roman adds, the illocutionary act is, in a way, about the actual speech and its delivery, while the perlocutionary act is about the effects of that speech].

Using that distinction Lee moves to distinguishing between open and concealed strategic forms of communication, arguing that the tendency in PR is to conceal the purpose of the rhetoric; that is to say, PR practitioners hide their intentions. PR practice does not release communicative freedom, which is the purpose of the public sphere. If you are communicating on behalf of yourself one can judge your utterances in comparison to your actions. Yet, if you are representing someone (a client, i.e. you speak on behalf of someone else) then your utterances cannot be compared to the actions; you cannot hold the speaker responsible for their actions (because it's not their actions).

Hence, Habermas rejects the use of illocutionary means for perlocutionary purposes, i.e. public understanding for private advantage and Salter argues that that latter applies to PR practitioners. Thus, PR can be linked to the decline of the public sphere.

Moving on to a social/structural examination, it can be argued that strategic action is necessary under capitalism and bureaucratic systems. Perhaps, adds Lee, strategic action is necessary in a society that does not allow for the reflection in the public sphere that Habermas envisioned (i.e. we don't have the time or the inclination). The other problem that is inherent in strategic actions (e.g. PR stunts) is that it's impossible to engage with them - they are closed to dialogical activity, they cannot be rationally challenged. Furthermore, it is much easier for the elites to use PR / strategic practices rather than for e.g. housewives. Thus, use of PR depends on economic means.

Habermas noted that there are three systemic media (money/economy, power/state and language); in late capitalism, money and power have taken over the functions of language in its various manifestations. The money/power system is intrinsically incompatible with reason and language; it has its own logic - money and power are the main motivations of PR.

Public opinion is supposed to be formed from the bottom-up; 200 years ago it was asserted by people in the bourgeoisie against domination. However, Salter argues, due to the above patterns the development of modern bureaucratic policies public opinion becomes the object of top-down domination for the benefit of private interests.

Thus, Lee continues, Public Relations is teleologically oriented: it manipulates the structural process for private ends. It has a finite/specific aim/purpose that it tries to achieve, against the normative model of the public sphere that leaves the end product open so as to 'discover' it through an inclusive/collective process.

According to Salter, the problems of PR are also the problems of journalism insofar as the latter is also restricted by the medium of money. The public interest becomes what the public wants to buy. Thus, capitalism turns newspapers and news into commodities. The system of production distorts the mediated public sphere to such a degree that good magazines and newspapers are often marginalised. The contradictions emerging in our contemporary society (e.g. economic progress versus environmental sustainability) have to be managed by a politico-economic system that also needs to sustain itself.

Thus, Lee concludes, the government uses strategic communications with a view to generating consent for policies that could not have been generated in the (real) public sphere.


MAIN PRESENTATION ENDS.
COMMENTS BY THE DISCUSSANTS.



13:45 Kevin Moloney's comments:

Kevin welcomes Lee's paper and believes that PR has been understudied; it is often treated either purely instrumentally (in disciplines such as Law, Management etc) or is completely dismissed (by the Left). Kevin believes that both approaches are wrong and that PR can actually tell us a lot about our society.

Moloney does not share Salter's normative/ideal approach and moves on to "critique the paper but not reject it". Kevin detects shades of Platonic idealism and neo-Marxism in Lee's position. The paper argues that there is false consciousness and if PR practitioners 'wake up' they will see reality. Moloney disagrees with the approach of false consciousness and with the social methodology involved with it. Instead he opts for an empirically-led approach and thinks that Lee is foregrounding the ideal and backgrounding the pragmatic. In the society we live there is a consumer culture and an increasing pluralism of voices; PR is always persuasive; seeking communicative advantage; always one-sided and seeking truth selectively; an agent of causes, clients and belief systems; it is a means for those increasingly varied voices.

According to Kevin, the model of the public sphere constructed by Habermas cannot exist today. The requirements set by Habermas (e.g. that that space should be open to all, that debaters are 'dis-interested' and that communication is rational) cannot be met. He goes on to argue that PR exists in the persuasive public sphere and thinks that Habermas is too Platonic. Moloney identifies more with Mill's liberal model. He concludes by viewing the public sphere as the resolution of different arguments, through which the truth emerges - a truth that is acceptable at that given moment only.


13:52 Phil MacGregor's comments:

Phil broadly concurs with Moloney. He thinks that the paper is even-handed towards / in its focus on journalism and PR. Yet, MacGregor argues, there is another side to Habermas: he has "excessively blocked the light" by colonising the discussion about the public sphere and its content. The idea of the public goes further back (in Britain alone it goes back at least 200 years). If you criticise the Habermasian model you are usually accused of having misunderstood the theory, thus it deters criticism and dialogue. The other question posed by MacGregor is what theories/issues have been ignored or skipped by the Habermasian model.

Going back to the distinction between strategic and communicative thinking presented by Salter, MacGregor thinks it's too polarised. Furthermore, he argues that it is very difficult to join ideal journalism with normative social theory and thinks that Lee has seen too much similarity between Adorno/Marcuse/Platonic idealism and the journalists' code of ethics.

Phil thinks that the discussion on the public sphere contains many difficult (perhaps un-answerable) questions: e.g. is there a public sphere? Is it rational? Can it be grasped? He argues that the real world is 'ruled' not by reason but by force.

MacGregor finds Salter's distinction between public and private interesting. Lee argued that anything sort of the (whole) public is private truth; he also argued that private truth leads to self-interest; and that self-interest goes always against the public interest. So Phil questions basic assumptions in Lee's paper; he claims that private interest can be benign. Furthermore he questions Lee's argument that false consciousness dominates PR practice asking 'where is the evidence?'.

Ultimately, argues MacGregor, Salter has perhaps been too kind towards journalism and too unkind towards PR. Journalism idealises private; it does not only work for the public interest. Journalists define their interest not as 'the public' but as 'the markets'. Phil finally notes that there is unworked tension between the distorted public sphere and the ideal one.


14:02 Lee Salter's response:

Lee clarifies his problem with Julia Hobsbawm's thesis that journalism needs PR by rejecting the idea that journalists need to adopt that style of communication; he rejects the attitude of "if you can't beat them, join them".

He then clarifies that it is not a matter of adjusting journalistic practice or PR practice; you need to answer broader questions of access to the media, access to journalists, and so on. He then makes the argument for public service journalism, universal access, publicly sponsored newspapers etc.

Salter accepts realism's critique of Habermas and clarifies that the paper obviously acknowledges the model's limitations. Structural problems of access and power are outside of PR and journalism.

He then responds to Moloney's support of Mill's liberal approach towards public/private communications, by claiming that some people are much better resourced to engage into the communication process than others (which is a source of inequalities). He accepts though that access is a particularly weak area in Habermas' argument.

Lee agrees with Phil's view that journalism is about markets and selling papers, and has no illusions about it, but he still thinks that you can reform the system so as to support public service news production, whereas PR is by definition there to skew the debate. In essence, Lee wonders whether we really need democracy for the function of the "real" public sphere - after all, if we simply accept manipulation, power differentials and the unchangability of the economic system then why bother with the rhetoric of democracy?

Finally, responding to Phil's last comment, Lee explains that he has covered the contrast between the communicative and the critical public sphere in other papers.


14:15 DEBATE OPENS TO THE FLOOR.

[Roman notes: this is not a verbatim transcription of the Q&A, merely a summary]

Kathy Cutts' question: You seem to be taking an agency-based approach of PR (as opposed to an in-house one).

LS: The argument is even stronger for in-house PR practitioners because they do not have a choice about which interests they represent, which goes against Edward Bernays' position of PR practitioners being able to select who they want to represent.

Darren Lilleker's question: Darren reiterates Kevin's point regarding the requirement of the public sphere to be disinterested and rational and asks 'where is that place?'; it's only in our heads - it's an individual thing, it's a summary of the virtual sphere existing in our heads. Also, every time we communicate we try to persuade anyway.

LS: Accepts Kevin's criticism of the Habermasian model but argues that his [Habermas'] theory has often been misunderstood and abused, especially by media scholars around the world, because what was essentially an historical description was taken as a prescription of a normative model. Lee thinks that instances such as the Ukrainian uprising and coming-together following the recent election, and the success of the public in reversing that result, was such an example (obviously taking into account the intervention of external parties where applicable). Maybe it could be called the latent public sphere.

Roman Gerodimos' comment: The model of the public sphere is not so much about what is out there, but what we should be striving for. Even if we never manage to reach that state of (Habermasian) utopia, we may achieve significant progress through that effort, especially in terms of public service, universal access etc.

[Roman notes: a brief Q&A follows between an audience member and LS on the BBC's response to the Hutton inquiry. LS believes that the BBC's response could have been stronger vis-à-vis the government, and thinks it marked 'deference' rather than 'robustness'].

14:30 SEMINAR ENDS.

Tuesday, January 25, 2005

Seminar: Anti-Terrorism, Media and Publics



On Friday, 14 January 2005, the Centre for Public Communication Research (CPCR) organised a special one-day seminar on anti-terrorism, media and publics at Regent's College, London.

The event brought together leading academics and practitioners from government, international organisations, polling organisations and the police.

It contained twelve presentations of
- recent/ongoing research projects
- polling surveys and
- contributions/think-pieces from people on the front line of public communication on anti-terrorism.

Presentations focused on issues such as:
- knowledge resourcing for civil contingencies and domestic management of terrorist attacks
- discourses of security and the framing of terrorism in the news media
- international perspectives on terrorism and the public
- the British public and risk
- problems in communicating with the public about terrorism



It is obviously impossible to summarise an one-day event within a few lines, so what i'll try to do here is mention a few themes that i thought re-appeared throughout the day and give my personal view on them. I have avoided citing specific participants as I don't have their permission. If you're reading this and recognise your contribution please feel free to claim it by posting a comment below.

a) One theme that did appear a lot was the comparison of the Cold War with today. One participant argued that our governance structures were influenced by the Cold War, and adjusted to it, and in a similar fashion we will witness the adjustment to the post-9/11 era. Others argued that there is today a rhetorical reconstruction of the threat that existed at that time (especially in the 1950s and 60s) so as to perpetuate the climate of fear and 'manage'/control the public.

Although there seems to be some tension between those two positions (one being that the threat was constructed, the other that our governance structures changed because of the threat) they are not actually mutually exclusive, and would personally think that both are to, an extent, valid.

b) Another question, again from a historical perspective, was to what extent was 9/11 a paradigm shift either because of the disaster itself or because of the symbolism and / or way it was communicated/manipulated. Several contributors agreed that it was the symbolism/image of the event (i.e. mainland US being hit succesfully for the first time) rather than the event itself that led to a paradigm shift (without obviously disregarding the human suffering it caused to many people). One participant argued that we were terrorised long before 9/11, essentially "doing the terrorists' job for a few years now".

Yet, to argue that the terrorist threat in the 21st century - or the Risk Society - is purely a cultural construct would be missing a host of actual/"real" threats that only now are becoming possible because of greater interdependence, globalisation, proliferation of WMDs, etc. In other words, risk is obviously to a large extent a cultural construct, but not only that; it's based on actual capabilities.

c) According to one contributor, the public is becoming politically disengaged and socially disconnected, and as a result of that we're more 'vulnerable' to manipulation both by governments and by terrorists.

Yet, while there is a respectable body of literature documenting civic disengagement and the decline of social capital (not least the work of Prof. R. Putnam), it is easy to build a nostalgic view of the past as the golden years of civic engagement and social interaction and paint a grim view of today. But that picture may not be accurate given the new and emerging forms of, both, civic engagement and social networking, especially through the new media. The fact that the means/expressions of those activities are different does not mean that we are less connected and engaged. In fact, were this true, it would completely go against the "common wisdom" that we've just entered a 'network society'.

The problem may not be the deficit of engagement/social networking. The problem could well be the deficit of legitimacy created by those new activities and networks. That is to say, we still want and do engage with common affairs, and we still build (probably more but looser) ties with other human beings. But those emerging structures create problems of legitimacy because they don't match the constitutional structures upon which our national public spheres and political systems are built.

d) The observation of one seminar participant, that the public debate on anti/terrorism is inherently narrow, focusing on the technical minutae of the preparation/strikes/response rather than on the broader issues, seems to be a key lesson to be learnt in order to deal with the root causes of terrorism. It's really similar to what's happening in the debate on e-democracy and Information Technology: most of the debate is spent on geeky competitions about the coolest/smartest/fastest gadget without really asking oneself about the ends/aims/purposes or potential uses of those gadgets. Thus, it seems that anti-terrorism is basically being commodified.

e) There was widespread agreement about both the role of the media and the attitude of the public in times of crisis. Evidence was presented that showed how important the media were in shaping public perceptions and how they can responsibly inform and guide the citizens; also, how citizens are ready to face the truth (and only become anxious when they are not properly informed).

That is not to say that the media don't face politico-economic pressures that may skew their coverage, or that the public are always mature in their reactions. But, a good working relationship between the government, the media and the public goes a long way to dealing with the problems of prevention/relief.

Still, while that model of co-operation is certainly the right way to deal with the problem, we should always acknowledge the impact of political-psychological factors on the mass public and the role of leadership in forming public opinion, especially in times of crisis. That is to say, striving for a purely 'rational' model that views government and citizens as adults (and the media as a mere ...medium) will always miss important 'emotional' factors and inherent contradictions affecting mass behaviour [although it has to be said that the distinction between rational/emotional is overstated and largely artificial]. As one polling expert noted, people want to be treated as responsible adults being able to make up their own minds; at the same time, they expect their government to lead and show the way forward. There really is no solution to that puzzle; it goes straight to the core not just of political philosophy/theory or the foundations of contemporary liberal democracies, but also to the core of any human relationship that involves power.

f)
Many agreed that there is a key contradiction in the rhetoric of the US / UK governments. On the one hand they claim that the terrorist threat is upredictable and unjustifiable and thus could (and will) occur anywhere and at anytime; this is a war that will go on for a very long time; no end is visible. On the other hand, the government cannot admit that the threat is unmanageable so it reiterates its control over the situation. Thus the public is faced with mixed messages of a practically unmanageable threat that is, however, being managed. As a participant noted, that notion of a "war on terror" plays up straight into the hands of the terrorists because (a) there is no end in sight, (b) it creates the image of a heroic/epic effort by Bin Laden.

g) Finally, there was a lot of discussion about trust, with lots of stats and evidence of mistrust towards the government. It has become something of a hobby of the bourgeois professionals to spend time looking at the trust that different professions enjoy and joke about it. Yet, trust is not a panacea. The extent of abstraction and sweeping generalisation that a trust question/survey requires means that we can only get an impression of the perceptions that the public has towards professions as a whole (for some sociological, anthropological, historical reason) rather than anything else. If you ask me whether i trust journalists, the only thing i can say is that there are obviously good journalists and bad journalists, as there are good and bad lawyers, good and bad politicians etc. That's not really useful though. Even trust in politicians or political processes/institutions of government is not in itself adequate. If 90% of the public said that they trust the government (any government), would that be a sign of a healthy democracy? Thus, the use of trust statistics may be overestimated, diverting the focus from more useful questions such as how can you restore/build trust culturally and structurally, and eradicate the root causes of the decline.

On a personal note, the day of the seminar (Friday Jan-14th) was also the day when I tested Murphy's Law and can now confirm that it is very much valid. In other words everything that could reasonably go wrong ...did! Examples include: Dorothy (my car) running out of water and the temperature going up (a lot); stopping the car to check it and Chindu having a shower with rusty water; my laptop crashing in the middle of the seminar and producing irrelevant images; facing all the rush hour traffic of London both on our way there (9am) and back (6pm); getting lost in the middle of London; etc.

Anyway, due to the invaluable help of my CPCR colleagues we managed to get unstuck and back home safely (at 9pm...).



Click on the picture for the full image: the CPCR research gang at the seminar - Chindu, Khaldia, Roman (and Waraporn behind the camera!).

Monday, January 24, 2005

Review: The Motorcycle Diaries



The second film I managed to watch this past weekend was one that all my friends - and possibly the rest of the planet as well - had already watched (and had commented very positively upon), to the extent that i started having an inferiority complex for not having watched it! It's Walter Salles' The Motorcycle Diaries, the film based on Ernesto 'Che' Guevara's autobiographical journal, only discovered in the early 1990s.

Although by Sunday I was quite ill, it was my last chance to watch the film on a cinema screen rather than on a TV one. Amazingly enough I was on my own in a massive 1,000-seat screen at Bournemouth's ABC (which felt great!). Eventually i didn't regret at all getting into the trouble. This was a very good film that, although biographical, involved me much more than Ray.

+ Gael García Bernal. It's very easy to be (negatively or positively) distracted by his good looks, but he does give an amazing, subtle performance; you can feel the process of maturity as the ignorant boy becomes a passionate man.
+ i have to say that i was very negatively pre-disposed towards the film because (a) everybody liked it and i'm very reactive to that; (b) i'm sick and tired of the posthumous canonization of Che either by ignorant idealists or by t-shirt vendors. But that's exactly the strongest point of the film: it's not about 'Che' - it is about Ernesto Guevara de la Serna, i.e. the guy next door, a guy that we can all identify with. Salles and Bernal keep that very fragile balance of hype / mystification and avoid cheap solutions.
+ several great, memorable scenes, especially in Peru, both visually and mentally; perhaps a little more of that would have been great.

- some scenes tended to be a bit longer than necessary. The film could have been edited a bit more tightly, which might have given the time and space for a bit more plot or scenes that convey a sense of the countries visited.
- the (unintended?) consequence of not doing a film/commentary on Che, but constructing the image of an adorable next-door guy, is that the audience could go away thinking that 'that was Che', which may or may not be true.

Overall, this was an enjoyable journey (literally and metaphorically) and is best viewed as the story of two traveller friends, rather than the story of Guevara.

Review: Ray



Despite a nasty cold that has been bugging me for the last four days, I managed to crawl to the Odeon and watch two important films during this last weekend. Both are - more or less - biographical accounts of real (and very famous) people.

The first film is Ray, by Taylor Hackford, and is a biography of the one and only Ray Charles. Enjoyable, although quite simplistic.

+ Jamie Foxx manages to give a great performance with his eyes ...wide shut.
+ All the female supporting roles (esp. Regina King) are very interesting.
+ The music itself is obviously addictive.

- I thought that the film was weak in terms of screenplay and direction. The screenplay oversimplified Ray's psyche as a compulsive womaniser-cum-junkie whose life was defined by his childhood (i won't go into detail in case you haven't already seen this).
- Also the film was quite emotional, cheaply at times, and had a very 1990s feel to it in terms of overall production.
- I think what annoyed me even more though, which may well be my problem rather than the film's problem, is that I couldn't really relate to that film. May be because Ray Charles was never an idol of mine, or perhaps of my generation; more importantly, i'm becoming increasingly intolerant of a preoccupation with the lives of celebrities - singers and musicians in particular - especially when they are presented as extraordinary / heros. Perhaps i'm jealous ( - hardly). I just think that we're spending too much time admiring, and paying for, the attention-seeking constructed adventures of spoiled entertainers, rather than admiring the courage and strength of everyday, anonymous people.

Anyway, back to the film, this was an enjoyable two hours although I really doubt it will stick on my memory past February (Oscars). The sort of film you look back on your list 5 years later and say "what was that? ah yes...".

Friday, January 21, 2005

blues...

it's a tough day for me today as one of my best friends from Bournemouth - Panos - is moving back to Greece. Bastard. On the one hand i'm happy for him because i know that that's what he wants. But, really, how altruistic can someone be - we are all human and i can already feel a gap inside.

it's funny, life. we only met a year ago and it seems like we've known each other for an eternity. isn't that feeling weird, when you get to know someone really well and then you think back on the day you first met... and i almost didn't make it to that place that night, i wasn't feeling like going out but i was dragged by friends.

i find that randomness of life really disturbing. on the other hand, that's our only hope for the future, isn't it? if everything were planned and predictable there would be no room for emotion. a bit like The Truman Show...

coming up: journalism and public relations: the decline of the public sphere?



On Monday I will be hosting a special research seminar for the Centre for Public Communication Research (CPCR) at the University of Bournemouth. The event, entitled "Journalism and Public Relations: the Decline of the Public Sphere?" will feature a presentation by Dr. Lee Salter (University of the West of England) and responses by Dr. Kevin Moloney and Phil MacGregor (both: Bournemouth Media School).

Dr Salter's presentation will be based upon his paper entitled "The Communicative Structures of Journalism and Public Relations" published earlier this month. Taking a Habermasian approach Lee will argue that "Public Relations is structurally unable to generate a coherent ethical practice" and that "the communication structures of journalism and public relations conflict" (which should raise a few eye-brows in one of the biggest PR university departments in the UK!).

I'm so looking forward to the seminar and emails for reservations are flowing; watch this space for a full review afterwards.

More info about the event is available here.

Monday, January 17, 2005

film awards



so... this is it. We've reached the most interesting season in terms of film awards and new releases.

The Golden Globes were awarded last night, the BAFTA nominations were announced this morning, while National Society Film Critics awards and the Oscar nominations are coming up within the next few days.

Consistently with my predictions in early December The Aviator, Finding Neverland and Vera Drake seem to be securing some Oscar nominations. Other leading players are Million Dollar Baby, Sideways and Closer. The foreign language film of the year (that may spread across other categories as well) will either be The Sea Inside or The Motorcycle Diaries. In all likelihood, five out of those eight films will be in the Best Picture category of the Oscars.

Here is a summary of the main awards/nominations announced so far with links to the full lists:
1. National Board of Review (NBR) (01/12/04)
2. Los Angeles Film Critics Association (LAFCA) (11/12/04)
3. New York Film Critics Circle (NYFCC) (13/12/04)
4. Writers Guild of America (WGA) (15/12/04 - awards tba 19/02/05)
5. Directors Guild of America (DGA) (06/01/05 - awards tba 29/01/05)
6. Hollywood Foreign Press Association (Golden Globes) (16/01/05)
7. British Academy of Film and Television Arts (BAFTA) (17/01/05 - awards tba 12/02/05)

Coming Up:
- National Society of Film Critics (NSFC)
- Academy of Motion Pictures, Arts and Sciences (AMPAS)

Review: Closer



On Saturday I watched Mike Nichols' much anticipated film Closer. Unfortunately this was a big let-down in what seems to be the weakest film season in many years.

- The original material (i.e. the play itself) seems to be ...unoriginal and saturated. It adds nothing to previous accounts of marital dysfunctions and heterosexual relationship dynamics. In a way, Closer's upper-middle class marital boredom reminded me of Albee, especially Who's Afraid of Virginia Woolf?



- The other major problem is the adaptation for the screen; or rather the lack of it. It really did feel like a play; all the decontextualisation, the lack of everyday situations, the improbable coincidences, the unnatural dialogues and body positions, the simplicity of it, i.e. all the reasons for which I dislike theatre were transplanted on film.

+ Acting is not bad. Clive Owen and Natalie Portman, to be more specific, give good performances. Julia Roberts less so; Jude Law even less.
+ Mike Nichols does his best with the material available; camera movement is interesting, as is the abrupt sequential gaps in the narrative (the only theatrical trick that works in the film).
+ The film is watchable (I wouldn't go as far as to say that it's enjoyable).

After the masterpiece that Angels in America was (both play and mini-series) I was really looking forward to Nichols' latest work.



Yet, it was exactly the brilliance of the original material and the transcendence into a broadcast medium that existed in Angels in America (mainly due to Kushner's genius) that were lacking from Closer.

Thursday, January 13, 2005

Review: Wrong About Japan



While I was in Athens for my Christmas holidays I read Peter Carey's latest book, Wrong About Japan: A Father's Journey With His Son.

What drew me to this book was a November 27, 2004, cover feature in Guardian Review, which contained segments of the book.



Given my own fascination with comics / graphic novels, and lately with japanese manga/anime, and also given Carey's natural writing style I decided to give it a go.

I have to say that despite the negative reviews that it got (not least last week from the Guardian itself), I found this an enjoyable and stimulating book.

For a change this is a short book that never claims to be an exhaustive and definitive account of the topic. And by the way, I'm getting increasingly intolerant of massive tomes that go on and on but have nothing really to say. On the contrary, Wrong about Japan is a subtle, succinct and funny book that manages to communicate several things within a few pages. Cultural misunderstandings and the generational gap are the two main themes (Carey is probably stronger at the latter one rather than the former); apart from the obvious topic (japanese manga/anime).

Overall, this is a modest, original and enjoyable little read.


Best taken in conjunction with:
- Sofia Coppola's Lost in Translation
- Paul Gravett's Manga: Sixty Years of Japanese Comics and
- Hayao Miyazaki's Spirited Away (Sen to chihiro no kamikakushi)



Tuesday, January 11, 2005

GPSG newsletter 2



the second newsletter of the Greek Politics Specialist Group (GPSG) of the PSA was published yesterday.

On top of the agenda is, obviously, the 55th Annual PSA Conference at Leeds. We are delighted that our Group will have a strong presence with four panels (one in collaboration with PMG) and thirteen excellent papers. It has been only a few months since this Group was founded and it seems that we are already gathering momentum for more activities.

A big thank-you to everyone who supported this initiative - its continuing success is solely dependent upon your input.

Monday, January 10, 2005

Pew report: the future of the internet



The results of a joint survey of 1,286 technology experts and scholars by the Pew Internet & American Life project and Elon University where published today. The full text of the report, entitled "The Future of the Internet", is available here.

Elon University has a very interesting and comprehensive page where many predictions (in the form of qualitative analyses by the respondents) are compiled/summarised by sector. The most interesting of those are:
- attacks on network infrastructure,
- civic engagement,
- democratic processes,
- rise of extreme communities,
- politics,
- creativity.

The report, which includes (uncredited) input by yours truly, "finds that most internet experts expect attacks on the network infrastructure in the coming decade as the internet becomes more embedded in everyday and commercial life. They believe the dawning of the blog era will bring radical change to the news and publishing industry and they think the internet will have the least impact on religious institutions".

Although my predictions concur with most of the study's findings, I do disagree on the impact of technology and internet-fuelled accelerated pluralism on religion.

Here is a summary of my contribution to that survey:

Although several observers have claimed that the internet is going through a normalization process, and therefore the rate of its evolution and impact will recede, there is evidence to suggest that "we ain't seen nothing yet". Evolution and transformation may not be a part of obvious developments in the IT industry; the next 10 years will see the consolidation of activities, trends and patterns that now seem marginal, emerging or not particularly important. For example, the use of the internet by terrorist organisations for the dissemination of propaganda/videos challenges the dominant paradigm of politics and journalism, influencing national public spheres and opinions.

Also, along with the independence from physical, environmental and social constraints that the internet brings to the individual, comes segmentation and polarisation. That is *not* to argue for a 'dystopian' prediction of a doomsday. It's a simple fact that empowerment brings polarisation and reluctance to compromise, deliberate and listen. In other words, we'll be able to do much more, pursue personal interests and hobbies, and that is a positive development because it democratizes leisure and voice expression. But, at the same time, the side-effect of that is less time spent with people we wouldn't normally interact with (which is a bad thing, because it reduces the opportunities for inter-cultural communication).

Therefore the areas more likely to be challenged by the internet within the next 10 years are:
international relations,
media and journalism,
leisure and management of free time,
religion and identity construction.

Effects on health, education, the military and governance in general are likely to be less radical, given the dependency on state funding, institutional traditions etc.

© Roman Gerodimos

Friday, January 07, 2005

back to life, back to reality



back to Bournemouth and in business after a very intense fortnight in Athens packed with films, books and a play; clubbing overnight and going straight for breakfast while the sun rises over the city; playing cards with family and friends for 9 hours straight; etc.

I feel quite tired actually, but in a "recharged" sort of way.

And there was the party of the year too... 60 people. In our living room. I think it went well. Photos to follow.

agenda for the next three months includes:
lots of marking and teaching
entering 487 questionnaires into SPSS
commencing with the second phase of my phd data collection
writing and submitting more papers
organising and chairing three events for the CPCR
developing the activities of the GPSG and of the PGN
preparing for the Annual PSA Conference in April
etc etc.

Thursday, January 06, 2005

my new albums

During the last month I've bought / been given three albums that I was planning to get for a long time, and I'm happy to report that all three of them are absolute and true gems.

1. Tiesto: Parade of the Athletes



Simply brilliant. Classic. 12 awesome tracks. Tiesto at his best. And memories of the best summer of my life. Favourite track: [6] Athena (with a massive remix of Albinoni's Adagio). Not to be missed.


2. Tomcraft: MUC



I got this at last. Addictive electro-trance, european dance and hard house. [2 / 13] "Loneliness" is obviously my favourite track ever; I'm just obsessed with that track and am thinking of consulting a therapist (!!!). It's also the reason I bought the album; if a human being can produce that sort of music their whole album is worth listening to. Overall it's quite good with several great tracks (for example [4] "Into the Light" and [11] "Forever Raver" are of almost equal standard to Loneliness), although not perfect (i.e. there were a few tracks I didn't particularly like although they may grow in me). Perfect for driving to/from London and for the gym.


3. Dimitris Korgialas: Ασ'τα δύσκολα σε μένα (Leave the difficult stuff to me)



This was a total gamble, given especially that I'm not very fond of Greek music (and own extremely few pieces). As with Tomcraft/Loneliness I loved Korgialas' biggest hit, "Mia Fora / Juste Une Fois" (featuring Katerina Moutsatsos), and thought it was worth taking the risk. This has now become one of my favourite albums and my waking-up music for the last 2 weeks. Every track is different and every track is great. A totally successful fusion of european genres (dance/electronica/ballad) with a greek edge (lyrics, melody) often reminding me of Nikos Papazoglou. Definitely recommend it. Perfect for driving and for summer holidays.

exhibition in greek parliament



On Tuesday I took my mum to a stroll through the centre of Athens, our beautiful "city of colours". Having forgotten that Tuesday is a day off for museums, we opted for the Hellenic Parliament's special exhibition marking the 30th anniversary of the 1975 Constitution. It proved to be one of those occasions when something completely unplanned becomes an enjoyable and memorable experience.



The exhibition included original constitutions, documents and protocols since the 1821 Revolution, along with many paintings, photographs and personal items of kings, presidents and prime ministers and other important "national treasures". For a political geek such as me this was total heaven (sad I know...) and it also brought strong memories of studying history around the clock for "panhellenies" (that's the exams greek 18-year-olds take to enter universities).

Anyway, the Parliament building itself is awesome (it used to be a Palace after all) and the security guards and receptionists were really nice and helpful.



I was surprised that the exhibition did not really feature the contribution of Georgios Papandreou (Senior), Andreas Papandreou or Costas Simitis (Economic and Monetary Union in particular), while it generously featured several portraits and personal letters of Constantinos Karamanlis.



Still, I would strongly recommend it, not just to fellow-geeks or tourists, but also to every citizen who feels a part of this country.

Monday, January 03, 2005

Review: House of Flying Daggers



Just watched Zhang Yimou's House of Flying Daggers (Shi mian mai fu).

Visually and technically awesome; yet, this adds nothing to Yimou's previous film, Hero (Ying xiong) - in fact it's a mere repetition of its core features (love triangle, sword fights, westernised dialogues and music, empty narrative, nice scenery, even the same actors!).

+ Cinematography, costume and production design. This is undoubtedly a visual feast.
+ Camera movement in the "flying daggers" scenes.
+ The first 'big' scene (with Ziyi Zhang dancing).
+ The very last scene.
+ Ziyi Zhang's performance was quite good but if I see another film that includes swords and Zhang I think I will be sick.
+ Music very nice...

- ...although explicitly oriented towards a western audience, which (taking into account the marketing strategy and purpose of the film) is just annoying.
- The Matrix; Crouching Tiger, Hidden Dragon; Hero; now this (to name but a few). How much sword fighting and air walking can we stomach? While the former two used slow-motion 3D choreographed air walking to serve a (great) narrative, in Yimou's films there was no real narrative. It was more like showing off (something that's already so last year!).

Overall, this is an enjoyable 2 hours for those who haven't already seen similar films recently. For those who are already familiar with the genre, there isn't much to it.

Review: Ocean's Twelve



Last night I watched Steven Soderbergh's Ocean's Twelve.

I didn't really enjoy the original film (Ocean's Eleven) and, unfortunately, neither did i like the sequel.

+ hm... not sure... location management? and music?
+ Julia Roberts without make-up
+ the Bruce Willis scene

- screenplay very weak; the point of the film eludes me: if they wanted to make a good "heist" film (we've seen so many already) then they should have paid closer attention to detail / the plot. It somehow seems as if the point of this was for the cast to have a good time (and get some extra cash).

Overall, equally uninspiring to the first one.



For more film reviews click here.

Saturday, January 01, 2005

happy new year



Two days ago I decided to cancel almost all of my New Year's Eve shopping and give the money to UNICEF for the tsunami victims. I just couldn't get myself to wasting any money to buy family and friends (who have everything) presents they don't really need while half the planet is suffering like that.

Anyway, it's good to see the big news organisations waking up to their responsibilities regarding mass mobilisation in aid of the victims. When I wrote my first article following the tsunami there was virtually no information on specific things that ordinary people can do or links to organisations that people could go to.

Now, according to PoliticsOnline.com, there is evidence of unprecedented mobilisation that can only be compared to 9/11 and the Iraq War; the difference being that in this case there are no "good" and "evil" people (eitherway), but only victims. And as someone wrote in a greek newspaper, we should consider all victims as our "fellow citizens".

It's a small world.